Bebo Norman, Bethany Dillon, Jason Morant|
10/03/04, Lancaster Bible College, Lancaster, PA
Being a frequent concert goer for nearly a decade now, I've experienced many different settings and
vibes that was determined greatly by the artist's style and the type of audience they attract.
But when I attended a recent date on Bebo Norman's Fall "In Concert" Tour, it reminded me just how
long it's been since I've been to a true, laid back acoustic show. This time around, for our Bebo
show review, I've decided to give the reader a break from my typical reviews to introduce you to
my lovely sister-in-law Miriam for a portion of this review. Mim, and avid Bethany Dillon fan,
offers her take on Bebo's Fall opening acts...
Being an opening act can’t be easy, especially when the most of the audience is there to see the
headliner. But Jason Morant and Bethany Dillon warmed up Bebo Norman’s audience with humor and grace,
not to mention some great music.
I had never heard Jason Morant (apparently pronounced “More-ant”) before, but I’m totally a sucker
for 20-something guys with mussed up hair and acoustic guitars, so I was mentally prepared, at least,
to enjoy his set. (Jason is 23.) He began with "You Give Me Life," just him and his guitar, and I was
thoroughly impressed with the quality of his voice. At first I thought he seemed a little
self-conscious or nervous on stage, but he warmed up pretty fast after the first song and turned out
to be a very engaging performer. Between the first and second song, Jason began a steady stream of
funny banter with the audience that would continue throughout the set.
After the first song, Jason was joined by the keyboardist for Bebo’s band, Matt. The rest of his
set included more songs from his debut record, Abandon: "Fashion," "I Am Yours," and "Inside Of Me."
The music was enjoyable and catchy – poppy, but not too poppy, you know? – but I must confess the most
memorable part of his set was his audience banter. He encouraged us to “Woo-hoo!” or snap our fingers
rather than clap for Bethany and Bebo, he told background stories about his songs, and he introduced
himself as Bethany Dillon. When Jason Morant left the stage, a relatively lethargic crowd had smiles
on their faces.
I came to the show exclusively to see Bethany Dillon. (I had actually planned to
leave right after her set, but decided to stick around and see what all the Bebo Norman fuss is
about – and I’m so glad I did.) I’ve been playing Bethany’s album nearly nonstop for weeks, and was
very excited to see her live. She came on stage with her guitar, and was joined by Josh Morant –
Bebo’s drummer and brother of Jason – on hand drums and percussion. My first impression was that
I hadn’t expected her to be so short, but I had only seen her next to Jason, who must be six feet
Bethany led off her set with “All I Need,” her voice warming up as she got going, starting
out a bit scratchy but smoothing out by the second verse. After the song, she held her pick
between her teeth while she changed guitars, and drawled an Ohio “Well, thank you” to the audience.
The rest of her set followed a similar pattern: a well-played song and a sweet “thank you”
(“I think it’s impolite not to say thank you,” she told us), followed by a rambling description of
the next song. I thought it was great. The middle of her set consisted of “For My Love,” “Revolutionaries,”
and “Exodus,” my favorite of her songs. Her voice stayed strong throughout, although you could hear
some scratchiness in her voice when she talked. Bethany ended her set with her single, “Beautiful,”
the song that made me look for her album, and the one that most people in the audience had heard
(if they listen to Christian radio). Overall, a very cheerful and uplifting performance, despite
the lazy crowd. My only complaint is that she didn’t play one or two more songs. (Miriam DiBiase)
John here, again. Although I've never had a thing for 20-something year old guys with mussed up hair and acoustic guitars,
I do agree with her commentary of the sets. They both served as a nice intro for the evening's main event.
Everything was very laid back and very personal. Bebo Norman's goal was to make the show feel more like a concert
in the audience member's living room and it definitely had that feeling - especially when it was
just Bebo and his bandmate Gabe up on stage. Bebo opened his set with "I Am", featuring his live band backing
him up. I was actually pretty surprised to see Jason Morant as part of his band, but it added
a unique and personal feel to the show. Following the upbeat "Stand" and "Disappear," Bebo's band left the stage
for a bit, leaving him and Gabe alone to perform the more softer acoustic songs.
While I prefer live bands, there is something really powerful about just Bebo Norman and his guitar.
His deep and emotional vocals are so personal and inviting that it really adds depth and meaning to his songs
that you just don't quite get on his recordings. Gabe was a wonderful compliment to Norman's performance,
offering the hammered dulcimer on "Tip Of My Heart" and various other unique instruments including a steel guitar
on other songs. Bebo and Gabe talked to the audience quite a bit between songs, even making it a point
to tease a security guard and Jason Morant's choice of hair products throughout much of their acoustic set.
Their humor helped break the ice with the audience. Following the transparent and personal songs
"Walk Down This Mountain" and "Where The Trees Stand Still", Bebo shared about his struggle with selfishness
and how his recent marriage ten months ago has helped him realize it. This led into the title
track from his most recent record Try and was followed by a heartfelt and touching message
about his recent trip to Africa to meet the child he sponsors with Compassion International.
While a lot of artists share about sponsoring children and reaching out to those in need, I found that Norman's
personal account of his experience was more meaningful and left a more lasting impression. It reminded
me how important it is for us as Christians to reach out through child sponsorship.
Bebo Norman's band came back later in the set for "Cover Me" and probably his most recognizable song,
the incredibly inspired original "Great Light Of The World." Easily one of the best worship songs today, it was
the perfect ending to his set. The crowd inevitably cheered for more and Bebo offered a benediction to the
crowd with his newer song "How You Love Me" -- just him and his guitar.
I was surprised Bebo didn't join Bethany and Jason out in the lobby to meet people after the show, but
considering a grueling touring schedule, it can probably get to be a lot to handle. We did have the pleasure
of meeting Bebo in a "Meet & Greet" session and really enjoyed chatting with him about life and his recent
If the edgier stuff isn't your thing, or you need a relaxing evening with a more mature audience
and a fantastic acoustic event, you would do yourself a favor by checking out Bebo Norman's Fall 2004
-- John DiBiase and Miriam DiBiase, 10/8/04 - 10/12/04