Matt Carter: Well, we had the music of it already. Toby and I have put a ton of time into making arrangements for local churches in the past. He worked at a church and I volunteered, but we wrote the music in a way that we really liked, so we figured, why not record those songs?
Matt: No, not really. We just wanted to put it out because we had it and liked it. It's not like I'm worried about the strategy of the career of Matt & Toby. That's the freedom we have -- it's not our full-time gig. It's something we get to do and people like it. I just want it to be something we like the sound of because that's all it's really supposed to be.
Matt: Yeah, I'd agree with that. I'm actually fixing up the mixes and promotion for that project right now, -- since it's going to be an LP itself, but that's just kind of the space we're in. Right now, it's real live and raw and that's just very much what I'm into.
Matt: Yeah, it's November 17th. We probably won't even have CDs; we're just gonna have it out so everyone can stream it. It was part of the crowdfund of the next Emery album.
Matt: Oh, I didn't record it.
Matt: That's the key, I didn't record anything on the Matt & Toby record (*laughs*). Zach Bolen recorded it. I know him from Mars Hill and we just have a similar vibe a lot of the time. I love the way he arranges and writes songs, so I figured why not hire him? He's not really a producer; he's more of a creative, so I thought he'd be the perfect person for the job. I've become more convinced that the recording side of things shouldn't be so heavy-handed. A microphone should just be put in front of an instrument and it'll the sound the way it sounds.
Matt: Yeah, I think half of the arrangements are mine and half are Toby's. I mean, I do enjoy recording, it's just that I think it's time for me to do less of that and more just collaborating and letting go of control. I don't have to do it all when there's more people with talent around me like Toby and Zach. And that way, I get to actually hear things for the first time instead of beating them into the ground. There's a lot of nuance and layers that I've only barely got to hear on the record, which is a feeling that I haven't had in a long time.
Matt: Well, the hymns are supposed to be your run-of-the-mill list of everyone's favorites. We have about 30 or 40 that we've done, so we sandwiched those and played around with the themes of the few originals on the record. Actually, this is a good story: I thought we only had two originals on the album, but Toby kept saying three. I didn't understand what he meant, but apparently he wrote "Good Gracious Lord" and I didn't even know (*laughs*).
Matt: Yeah, that's true.
Matt: Hmm. I like that question. You're probably right, but the truth is I hadn't really thought about that at all. For me, there's some element of the tradition and the cultural part, regardless of if somebody has the theology exactly right or not, that seems really familiar and unifying. I'm not trying to avoid theology or Scripture at all, but I think tons of people who sing spiritual songs don't care about them whatsoever. Like "Amazing Grace" being played on the bagpipes - what does that really have to do with the lyrics? They're so ingrained in our history as a culture that I might have some theological disagreements with these hymns, but I just haven't thought about it a ton. It doesn't matter to me if you half-way, or even completely, disagree with the theology; I'd still feel unified with anybody that would sing a hymn or say they are a Christian at all. I think there's more in that broad unit than there is in narrow statements of the specifics of faith. Plus, with the factor of interpretation, the original authors could have meant some of the language to be figurative in a way that I couldn't know about anyway.
Matt: Yeah and the name I Quit Church will throw you off a bit. I guess it's a little…heavy-handed (*laughs*).
Matt: I think the whole point of it is the complexity. It's the combination of experiences that make up any complex person. So, this is just an attempt to relate to what that feels like. I hope it makes people uncomfortable, but I know that people who want things to be simple won't like it. I don't really mind that there's a barrier to entry here.
Matt: I think that we made it in a way that people will be able to digest the nuance and the staunch critics who won't hear what we are saying, well, they're probably not paying attention anymore. You can read a headline and be mad about it, but you're not going to listen to the podcast for 200 minutes a week just to be mad at someone. And the people who will get it and care are the people who should like it. I don't think anyone else is paying enough attention to really hate it, but if they are, that's ok. It's part of the space we've created.
Matt: Well, I think we're almost always looking for people to be a little uncomfortable and then press through to find out that it's ok. You know, just stick with it and maybe it'll make sense. I like that about art and when other people do it to me, so this is similar. Musically, it's not crazy like math rock, or anything (*laughs*). I hope people just see each song as a nice little piece.
Matt: I just put a new section in a song today that I'm really excited about. So I can tell you we're in the middle of song one (*both laugh*). We're just going one song at a time, but we're in full production mode of song number one now. I believe we'll finish it in the next few months, so it'll come out next spring or summer. If it goes faster, I'll update you.
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