Favorite Band/Artist: Bellarive Featured Fan: Jacob Betts Location: Houghton Lake, Michigan When/Where Was The Above Photo Taken: Camp Electric 2013 Nashville What About This Artist's Music Speaks To You: Bellarive's music to me is like taking a breath of fresh air. Today's modern worship scene is sometimes lacking in deep and meaningful lyrics. The beauty of these songs, both lyrical and musical, is truly an act of worship. Whether it's hearing the message of hope for eternity (Taste of Eternity) or striving to draw closer to God (Heartbeat & Tendons), Bellarive challenges you to step outside of your comfort zone and push yourself to become closer and closer to the Lord. I first saw them a week after my father died. The song "Taste Of Eternity" had more meaning than ever, reassuring me that our meeting again in paradise will be an everlasting reunion. Favorite Album by This Artist: The Heartbeat
Favorite Song by This Artist: "Stories"
Favorite Live Show Experience: Camp Electric 2013
Number of Times Seen This Artist Live: 9
Favorite Piece Of Merch/Item You Own From This Artist: I have a signed copy of "The Heartbeat" and my guitar case is signed by the band
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It's no secret that we at JFH advocate for excellence in Christian art. Anything that Christians put their hands to deserves to be done well, giving the glory to God in the process. But I have recently been contemplating the concept of what "Christian art" is supposed to look like in the real world, particularly when it comes to how listeners are supposed to interact with the music they listen to.
To sum up my feelings on the matter, I think Christians are supposed to enjoy music.
At first, this sounds like a "duh" statement, but I think the word "enjoyable" is more comprehensive than it sounds. There's two main definitions for the word "enjoy." The first is straightforward, "to take pleasure in," which is simple enough. But the second makes the word a little more complex: "to have or experience." Experiencing music seems a lot different than just listening to it, doesn't it?
When the term "enjoyable" is applied to music, it can often bring to mind recyclable pop music that doesn't take too many chances. The song begins, the catchy beat takes hold, the simple lyrics are easy to memorize, and the listener can hang their hat on the song's whole. It's a quick escapist detour that lasts for a whole three and half minutes, though it's over as soon as it begins. If that's all that "enjoyable" music is supposed to be, Christians are selling themselves severely short. Great music grows on the listener with time, unfolding layer after layer with successive listens.
Please don't misunderstand me by inferring that I think pop music as a whole is bad. To call out one whole genre as a lower form of art than another would be to discredit the artists who use pop music to its fullest artistic potential. But if you turn on any Top 40 pop radio station, you can immediately hear the kind of material I'm talking about: unsophisticated and hopelessly aimless pop ditties. And all too often, CCM stations echo this same method with their setlists comprised of mindless earworms that don't improve the quality of life of the listener beyond a few minutes.
Art is not a utilitarian concept, of course, but truly enjoyable art requires a significant investment of time and emotion. It means listening many times, though not necessarily in a row. It means personally applying it, empathizing with the spirit of the song's message. It means comparing the song to others like it, identifying what makes it unique and beyond the norm. It means letting the music affect you in the long run rather than compartmentalizing the listening experience to the length of the song.
This concept of enjoying music affects how I approach every album I hear, especially when reviewing something for JFH. I can't tell you how many times I have listened to an album for the first time, disliked it, but learned to love it after more listens. Given that I have to write a polished critique of the album in the near future, I have to listen to an album more than once. If I wrote my album reviews after only one self-contained listen, I wouldn't be handing out too many positive reviews, and even the positive reviews wouldn't be credible or properly representative of the music. But that's why I hesitate to give a decisive opinion so early on in the listening process. Sure, there are albums that I've enjoyed on the first listen with my attitude towards it not changing much, but they're rare. Great art grows on you.
Is this taking music too seriously? Taking this concept a step further, what happens if we approach people this way? There's the adage that first impressions are deceiving, and it's just as true for music as it is with people. Are first impressions important? Absolutely! We always want to present ourselves well when we meet people for the first time. But if we judged others on just those first impressions, we'd have some lopsided relationships to wrestle with. My deepest friendships are with those who I've gotten to know over time, over many occasions and seasons, not on one-time, one-way transactions. When we truly experience people, we see their many facets, and we love them for who they truly are. I'd contend that if we are interacting with music in a similar fashion, we gain a better idea of our both ourselves and the music we're listening to, giving everyone their due credit. Experiencing music isn't as complicated as experiencing people, by the way.
With all of this in mind, there are some inherent dangers attached if we change our music listening habits to this method. For some, this could be a huge lifestyle change. This refreshed concept of art as an enjoyable entity creates quite a few problems for a culture that thrives on speed and instant gratification. We want to enjoy things now! But when Christians can slow down, find beauty in the details over a span of time, and learn to love the individual parts that make up the whole, our perspective on enjoyment will change for the better. The Christian's status as an image-bearer makes this level of enjoyment possible, and if we apply this reasoning to our habits as music consumers, we can become music "enjoyers" instead.
Favorite Band/Artist: Skillet Featured Fan:Egypt Ali Location: Euclid, Ohio When/Where Was The Above Photo Taken: ALIVE Festival 2013 What About This Artist's Music Speaks To You: Skillet was my first band, ever. I was 12 and wanted so badly to find music that I liked and that my mother approved of. I was very lonely and started to Google "Christian Rock bands" thinking that there couldn't be anything bad in a Christian Rock song. Skillet was the first result. I listened to "Whispers in the Dark" for the first time at about 1 in the morning after a really bad day. I can honestly say that in that moment that song seemed to be meant for me. I love how every single one of their songs has a mission and a statement to make. A lot of bands can get out there and make noise but it takes true anointment to make a sound. They do it every time. Skillet always teaches you something every time you hear them. They make you think and they make you act. I heard one song and after that have been a solid Panhead ever since. Although, I did have fun explaining to my mother that my favorite band was named after a frying pan. :) Favorite Album by This Artist: Collide
Favorite Song by This Artist: "Alien Youth"
Favorite Live Show Experience: ALIVE Festival 2013
Number of Times Seen This Artist Live: 12 times live. 3 times online.
Favorite Piece Of Merch/Item You Own From This Artist: I have a signed drum stick from Jen Ledger that I caught at my first concert, but I'd have to say that my favorite item is the Rise CD. At Alive they were having a pre-sale and because I was the first to buy it, I was the owner of the first ever Rise CD in existence, which is how I got to meet them.
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So, by now, many of you are probably thinking something. That thought may or may not be related to JFH. If it is not related to JFH, I won’t even venture trying to guess what that thought is. However, if it is related to JFH, I have a very strong hunch I know what you are thinking. I’ll bet is falls something along these lines
“WOW! Switchfoot has FIVE positive reviews!”
“I didn’t think Fading West was that great."
“Of course JFH would post five great reviews of Switchfoot, they’re all biased fanboys."
“What is a 2-cents review?”
“Why does Switchfoot, or any album for that matter, have five reviews in the first place?”, or possibly
“I can’t believe JFH gave Nine Lashes a positive review! They usually hate modern rock!”
If your thought was more along the lines that last bullet point, that is a topic for a different post (and probably a different person). However, if it was along the lines of the first five bullets, then this post is for you.
Longtime readers may recognize “2-Cents Reviews” as an appendage onto a reader review, like on this review of the Newsboy’s Take Me To Your Leader, or this review of Demon Hunter’s self-titled debut, or even this review of DC Talk’s 1989 debut. Their original purpose was to give an official rating to albums that otherwise would have none (either due to the fact that they came out a while ago, or no one on staff ever got around to writing a full review). But a reader had to write a review of the album first in order to get a 2-Cents Review.
Recently, the staff was having a discussion, and after going through a variety of different topics, somehow it came around to our current review format. That is, that albums, if they are reviewed, have a main opinion and a second opinion, and if not reviewed, a reader (ie, you guys) can send in their own review that might get posted if it is fair enough (and written well enough), and might get a 2-Cents Review as well. In any event, someone on staff (actually me, but I digress) suddenly came to realization that, well, why not have more than two staff reviews? We’re not bound by any strict “Music Website Code,” that firmly states, “Thou shalt not review an album more than twice!” Plus, with more reviews comes either more diversity or a stronger consensus, so the readers can get a clearer idea of what the staff as a whole thinks, not just one or two people on staff.
But then, as soon as I thought that, I also realized, “…but then someone would have to actually write those reviews.” And I can tell you, writing reviews can be a very tedious chore. Not to mention that it is a chore for a reader to read them all. But then I thought about those 2-Cent reviews: Those are easy enough to write. They are about a paragraph long. Easy to write, and easy to read. Diversity of opinion is offered, readers are more interested, it makes our site even more unique, and since 2-Cent Reviews were already offered in some capacity, it would not be hard to implement. Everyone wins!
As such, Fading West is the first album to receive this treatment. Not because we are biased fanboys of Switchfoot and just want to keep gushing out praise for them, but because, well, they were the first truly “big” album of the year that many staff members have heard and wanted to offer their thoughts on, and hopefully the first of many. Simple as that.
Hope you guys like the idea. Let us know what you think!
Prisoner to the Chains of Time - The Music of Common Children
I write full time; all kinds of things, books, articles for magazines, humorous columns etc. When I write, I usually select something out of my record collection to put on, and sometimes I go with a theme, or "band of the week." A few weeks ago, Common Children, an important band to me during a critical time in my life, was the choice, and hearing such poignant music made me think some big thoughts as I wrote about silly things, like the groundhog who is now living under my porch, and whether or not to contact my daughter's teacher to ask if the spelling words she is sending home are far too advanced and difficult for my 2nd grader. ("Opinionated" is a great word, but tough on the psyche of a seven-year-old at test time.)
I first ran across the music of Common Children as a senior in High School. I picked up their first album Skywirein the spring of that year and in those days of confusion and anxiety about my future and who I was in Christ. Hearing a band address the “deeper issues of life” from a perspective of faith meant the world to me. Later in college, after my first (and thankfully last) broken heart, the music of their second album Delicate Fadereminded me that all of life is under God’s control, and that He is always with us. Their third and last album, The Inbetween Time, helped me to see that there are two sides to every story and that life is wonderfully complex. The lead singer and primary lyricist, Marc Byrd, remains a busy man. In the last decade, he has co-written the popular worship song “God of Wonders,” released a worship album with his wife under the name “Glassbyrd,” and recorded a few fantastic instrumental albums under the band name “Hammock.” All three Common Children albums can be found in various places online, and should be required listening for every young person of faith.
The following thoughts are related to my favorite song on each of Common Children’s fantastic three albums, Skywire, Delicate Fade and The Inbetween Time.
"Absence of Light" - The Inbetween Time (2001) This week my pastor said that “church needs to be a living shelter for lost and hurting people.” To emphasize this point, he read the story of the prodigal son and stated this one line over and over again “love, not logic”. The point that I easily miss in this story is that the prodigal son brought his misery on himself. His selfishness and impulsiveness led to his wretched state, not any other factor that can be seen in the story. It would have been logical for the father to run the prodigal son off his property, or to take the son up on his offer to be a slave in his father’s household. But it is the illogical choice that is made. The father celebrates the return of the son and restores him to his former position. The first song on The Inbetween Time, which addresses this issue so well, opens with haunting Pink Floyd-like atmospherics that bring to mind the coldness of space, then drenched in reverb, a ghostly voice rings out seemingly from above the music...
For maybe just a second, the sun was in your eyes
It flickers like a spark from the fire that burns inside.
You were broken by the darkness by the silence of the night,
Searching for a shelter from the cold absence of light
This song stopped me cold when I first heard it. The atmospherics bring to mind a very cold day and the lyrics suggest to me that whoever the narrator is talking about brought on his own suffering. The lines “For maybe just a second, the sun was in your eyes” suggest a momentary lapse of judgment. But the narrator does not pass judgment on the main character. Instead, he points out that he was “broken by the darkness, by the silence of the night”. To me this was a refreshing perspective. Suffering in any form must be met with true Christ-like compassion. Christ had a true love for those whose poor decisions had produced suffering in their own lives. It has been said time and again, but it is worth repeating. Christ hung out with some pretty unsavory people; tax collectors, prostitutes and various other “fallen people.” He did not shun these people, but rather showed “illogical love” in a real way. These people had been “broken by the darkness” and were responding to the light that Christ offered. This song helped to change my perspective on those who have had a “moral failure.” Who among us has not ever had a lapse of judgment; let him cast the first stone. Thanks be to Jesus for loving us illogically.
"Broken Smile" - Skywire (1996) A prevailing stereotype of Christians is that they are all happy go lucky, out of touch with reality, “Ned Flanders”-like people. Somewhere in his past, Ned was told to “count it all joy” when misfortune finds him. (James 1:2, a powerful scripture, but woefully out of context here) He says “well, praise the Lord” when his house is demolished by a tornado or “she’s in a much better place now” when his wife passes away suddenly. Fair or not, this stereotype exists and it is vital to try to figure out where it comes from. I would like to suggest that it comes, in part, from the art that we produce. From cliché ridden “positive” music that anyone can find on their car radio, to schmaltzy visual art, so much of what we produce suggests that that everything in the Christian life is hunky dory. I like to call it the “I once was lost, but now I’m found” phenomenon. This phrase from "Amazing Grace," (possibly the most profound song ever written) when taken out of context from the rest of the hymn, leads to some mistaken notions. Notions that say “Now that I have been born again, all of a sudden my problems are over and the rest of life will be a cakewalk.” But as we all know, this in no way matches the reality of daily life. Those who are “found” still suffer gut wrenching tragedy, crippling depression and doubt. (See Job, King David. The Apostle Paul)
Why does the music we create not adequately reflect the experiences we all go through? Music has been called “the healing art form” and brings comfort to so many in times of trial. After September 11th, radio stations played selected songs with “healing aspects” to them nonstop and Rolling Stone even published a list of top songs people named that helped them through those tragic events. Why do Christians, who have the ultimate hope to offer, someone to walk beside us through this dark world, and hope of a better world to come, write such pithy music to express this wonderful truth?
When I fist heard "Broken Smile" from Common Children’s Skywire I was stopped in my tracks because I had never heard such a profound song about loss and alienation come from out of the CCM world. Here was a song that in both its lyric and music captured the emotion of sadness and loss. Songs like this were being written by Nirvana and Pearl Jam, but I had never heard one from a “Christian” artist. The simple nature of the track, with its barebones acoustic guitar playing dark minor chords and assorted minimalist instrumentation of violins and cellos, is reminiscent of the unplugged era of MTV. The harmony vocal provided by Christina Glass (later to be Marc Byrd’s wife) adds the final haunting touch.
What makes this song unique in Christian music is that the writer did not feel the need to wrap up the song with a “Jesus is the answer” final verse. The song is simply a meditation on sadness, how it can stay with you for a long time, how it can creep into every aspect of your life, how it seems never ending.
Can the truth refine and free the soul?
When the hurt you have is all you know?
Through endless searching and nights of wondering
Someone said, “Just let it go”.
We all know that we all have felt the pain
For a little while.
With lines such as “can the truth refine and free the soul when the hurt you have is all you know?” the writer dares to question God. He says "I believe that you are true, but what does that mean to me during this time? Can your truth lead me to freedom from this sadness, this darkness in my soul”? This kind of hard questioning is rare in Christian music, but it is, ironically, common in scripture. David asked “How long will you hide your face from me O Lord.” (Psalm 88:14) This might seem blasphemous to many, but to David “a man after God’s own heart” it was a very natural comment. In an article in Seven Ball magazine, I read how a couple had written to Marc Byrd and told him that the song had helped them get through the loss of a child to miscarriage. This floored me. A couple found, in Christian music, a song that spoke to them during a time of profound loss. Such an accomplishment should be celebrated and not easily beforgotten.
The Eyes of God - Delicate Fade (1997) Perhaps responding to criticism that their music was too dark, Common Children released “Eyes of God” as the first single off their second album Delicate Fade. The song did pretty well on Christian radio, no doubt due to its more positive outlook. The track kicks off with a chiming guitar that is decidedly more radio friendly than the harder edge of the previous album, and when the chorus kicks in, it finds Marc Byrd singing…
All the while the Eyes of God shine on us
The Broken smile and the eyes
God shine on us
Feel the pain
You need to show
Take the time
Now let it go
Embrace this day of healing
What I find so interesting, is that this song makes a reference both lyrically and thematically back to the aforementioned song "Broken Smile"on Common Children’s previous album, Skywire. It’s as if Marc Bryd didn’t want to leave the listener where he left them after hearing that song. “There’s more to life than this” he says, “you can be free”. “Eyes of God” serves as a sort of alternative music instruction manual for how to deal with the tragedy that “Broken Smile” described so well. Marc Byrd first instructs the listener to “feel the pain/you need to show”. Honesty is crucial when dealing with suffering of any kind. Being like Ned Flanders and saying “everything is fine” is to be dishonest with yourself. Everything is not all right. It’s ok to say that, to assess your situation honestly. This type of honesty is very difficult for many believers who think that somehow they have done something to bring on this tragedy on themselves. Many Christians think “This is not the abundant life I have heard so much about, I needto keep this problem undercover until I can figure out where it all went wrong.” Fundamental honesty is the critical starting point for weathering any crisis. Christ never promised an easy life, but he did promise that he would be with us through the tough times. This is a critical distinction.
Next, we are told to “take the time”. The healing of a physical injury cannot be rushed. If you sprain your ankle, there is an approximate amount of time that it takes to heal. You can help the injury to heal quicker with treatment and medications, but there is no such thing as an “instant fix” to a physical injury. Why should injured souls heal any differently? It takes time. This is a tough sell to "instant gratification America." Fast food, fast internet connections, eight minute dating, same day service, we speed all of life up. People who suffer tragedy are often told by well meaning people to “get over it,” “keep a stiff upper lip,” “pull yourself together,” etc. This is terrible advice. Grief needs time to work itself out. This brings us to the last instruction “now let it go/embrace this day of healing”. In the movie Chocolat, an old man is interested in a woman in his 1960’s era French village known as the “Widow Odell”. When asked why he does not pursue her, he responds “the Widow Odell is mourning her late husband who died in the war.” Another character says “well, the war was 15 years ago”. “Oh, no,” the man says, “Her husband died in the First World War. It was quite a shock to the Widow Odell.” There comes a time to let go of your grief, to move on. Holding on to something too long comes with its own price tag. Like the Widow Odell, opportunities may be missed, life may go by unlived. To quote Ecclesiastes, “there is a time for everything and a season for every activity under Heaven.” (Ecclesiastes 3:1) Sometimes, it has to be a conscious action to “embrace this day of healing”.
Marc Byrd, like me, probably does not have a degree in counseling, but he writes with his heart and eyes wide open to the world around him. He seems to know loss and heartache very well, and I’m thankful to God that I happened upon the music of Common Children during a formative period of my life. It has helped to shape my thinking in regards to the nature and shape of suffering, and has helped me to be more sensitive to those who Jesus called “poor in spirit” (Matthew 5:3). I thank God that He gave me the ears to hear His truth in the songs of Common Children.
With the recent release of the JFH official staff picks for 2013 and more in-depth blogs about the individual picks of John, Alex and Mark, Michael Weaver joins in with a look into his top albums (and honorable mentions) of this year's album releases...
1. Fear Inside Our Bones, The Almost - Aaron Gillespie has been quite busy since deciding to leave Underoath.Between writing a solo worship album and touring for said album, as well as The Almost, he’s had a full schedule.While I was looking forward to Fear Inside Our Bones, I wasn’t looking for it to top my list; I wasn’t even looking for it to be an album that landed on my Top 10 list this year at all.Instead, what I was given was an album I listened to more than any other this year.Reviewing some albums can honestly be a chore.When you get ahold of a weaker album -- I will not mention any names -- it’s tough to keep listening in order to give it a fair shake.That was simply not the case with this record.I honestly enjoyed every song on this album and, while I did consider a couple of others for the top stop, there wasn’t really a competition for it.If you’ve never been a fan of The Almost in the past, it’s time you give them another shot.This alt-rock album with a slightly southern flare is sure to please most rock fans.
2. Saloon, The Ongoing Concept - I was completely unfamiliar with their music.Basically, I watched the lyric video for “Cover Girl” and thought, “This sounds decent enough.”That was the understatement of the year.This album brings a metalcore sound with a wild west feel that is ridiculous.Saloon is catchy and fun and reminiscent of early Showbread.Any metal fan should at least give this one a shot.Some people may not agree that metal music should have pianos and B3 organs mixed with heavy guitars, but these guys pull it off with a near flawless execution.The Ongoing Concept provided the surprise of the year for me and is easily my favorite new artist of 2013.Solid State Records still has a good eye for talent.
3. The Water & The Blood, Dustin Kensrue - Mars Hill Music has been doing an excellent job of acquiring worship leaders for their different campuses.Thrice front man Dustin Kensrue was the most interesting of the bunch for me.While Thrice has always been lumped in with Christian bands by many (even if the band wasn't keen on the idea), and Kensrue himself has never shied away from his spiritual beliefs, he’s simply not a guy I figured for a worship leader.Well, I was wrong.The Water & The Blood displays worship music with an indie rock sound similar to that of a Kings of Leon or NEEDTOBREATHE mixed with a bit of folk influence found in his previous solo works.The formula ultimately offers up honest and sound worship music.Even better are the lyrics: theologically deep and far from cliché.Anyone who knows me, or has read a couple of my reviews, probably knows that I have many issues with the course that modern worship music is on.Dustin Kensrue has delivered what’s probably, quite honestly, my favorite worship album ever.
4. Royal Flush, FLAME - FLAME is far from an unknown commodity, but I still hold to the fact that this guy is severely overlooked and underrated.This super-talented rapper has been nominated for a ton of awards and always loses out to someone else.He also seems to be rarely mentioned by fans of CHH when names like Lecrae take the spotlight.Awards and accolades mean nothing to FLAME, though.After interviewing him about a month ago, it’s obvious that he is only about spreading the love of Christ to others.Royal Flush definitely accomplishes that.For me, this was the hands-down top rap album of the year.FLAME is on top of his game and has released his best album to date.God has given you the Royal Flush; what do you plan to do with the winning hand?
5. Backdraft, Fallstar - Fallstar shifted from the indie label Come&Live! to Facedown Records -- a more established label (especially in the metal genres).Backdraft is a record that provided me with tons of listening fun.Straight up metal, metalcore and the interesting hip-hop within “Alexandria 363” is spread throughout.Fallstar have stepped into the spotlight and delivered.From the great music to the fun album cover, Backdraft is a must-have for metal fans.
6. Between Here & Lost, Love and Death - Brian “Head” Welch and company didn’t release the most original rock album of the year, but they released one of the most solid overall.With sounds that were similar to his solo album and that of his former (and now current band again) Korn, Head knows the formula for success.Between Here & Lost added melodic elements in with the heavy on the musical side of the spectrum, and thankfully featured Brian being much more comfortable with his role as lead singer.Musically and vocally better than Save Me From Myself, Between Here & Lost is a great album well worthy of its spot on my Top 10 list.
7. Unworthy/Humility, Creations - I fully expected Creations to provide me with just another generic metal album to pass the time.Upon first listen, I thought that is exactly what I got.With each subsequent listen, I discovered so much more.Buried deep within the heaviness of it all are small subtleties that really set it off.Every time I listened, I heard something new and interesting.I can see how this record could be quickly passed off after only one listen, but, if you were guilty of this, I urge you to listen again -- this time more intently.This impressive metal album unexpectedly snuck its way right onto my Top 10.
8. Inland, Jars of Clay - Jars of Clay once again sits atop of our JFH site average list.Many people think very highly of Jars and rightly so.I fell in love with Jars of Clay way back at youth camp when I first heard “Flood.”When I got home, I immediately bought the single (on cassette and CD) and forced my parents to listen to it repeatedly.(In the end, they were actually pretty thankful and are still fans today.)Once the debut finally released, I found myself even deeper in love.Jars of Clay were revealed to me at a time when I was REALLY starting to embrace music and were probably my first favorite band.All of these years later, Jars of Clay is still relevant and still making great music.They manage to recreate themselves with each album, but still stay true to who they are.While Inland wasn’t my personal favorite for 2013, it is more than worthy of claiming the site’s top spot.I already can’t wait for their next.
9. Engine of a Million Plots, Five Iron Frenzy - When Five Iron Frenzy called it quits, I was heartbroken.I still count myself thankful for being able to attend one of the dates on their farewell tour.When they announced their reunion, and the Kickstarter campaign to fund it was so ridiculously successful, I honestly got a bit worried.Expectations were probably higher for this album than any other Christian album... ever -- at least in recent history.When I got my hands on this to review it, a nervous anxiousness came over me as I hit play.Once the music came to a halt after “Blizzards & Bygones,” I sat back in disappointment.I didn’t think it was a bad record, but it wasn’t what the long time FIF in me wanted.I wanted ska.I wanted funny songs.I wanted an awe-inspiring worship number that puts all worship artists to shame.I basically got none of that.After a couple of days, I listened for the second time without any expectations and started to become pleasantly surprised.It wasn’t the album the fan in me wanted, but I think it was the right album for Five Iron at the time.It’s still lyrically deep, though maybe not their best, and musically as solid as ever.Engine of a Million Plots will not go down as my favorite Five Iron Frenzy record, but it was a great comeback and managed to find its way inside my top 10 albums of 2013.
10. Kings and Queens, Audio Adrenaline - I think most people would agree that Audio Adrenaline today is not really Audio Adrenaline.One founding member in a band, especially when it’s not the lead singer, does not make it the original band.At least the change in Newsboys has happened over time...Audio A went from non-existent to reformed, with basically all new people, overnight.Though it’s very strange that the powerhouses of the nineties have switched teams, Kevin Max (Smith)’s vocals are still just flat-out amazing.The guy has always been a little quirky, but, man, can he sing.While it’s so obvious that Kings and Queens is not an Audio Adrenaline album (even though their name appears on the cover), it's undeniably a great pop/rock record.It took a while to get this out of my CD player after purchasing it and I still like revisiting it now.This one was honestly close to being on the outside looking in at the top 10, but in the end, I just couldn’t leave it out.Maybe it was just nostalgia, but I thoroughly enjoyed this one anyway.
As with every year, it’s tough to narrow the list down to only 10.I was really happy with Christian music in 2013, heard a lot of great albums, and discovered some amazing new talent.The actual posting had no room for honorable mentions, but here I can let you know about them.
1. Line in the Sand, Close Your Eyes - It really hurts that this didn’t land on my Top 10; I’ve actually even stressed a little about it not being there.This record was off-the-charts good and that’s quite impressive after a couple of changes of lead singers between albums.
2. Extol, Extol - These death metal veterans returned with a vengeance.After such a long leave of absence, it was great to have these guys back.This was a great heavy album and proved that Extol haven’t lost a step or forgotten how to write brilliant material.Extol’s return became my favorite album by these legends of the industry.
3. On My Way to the Sun, John Elefante - I’ve been a John Elefante fan for a while.John graced us all with a great progressive rock album reminiscent of his 70’s and espcially 80’s years.The former Kansas front man released a superb album that garnered a lot of play time for me.
4. 8:18, The Devil Wears Prada - TDWP continue to grow and improve with time.I really don’t know what else can be said for this awesome album that revolves around Romans 8:18.
5. Minorville, Derek Minor - Derek Minor (formerly PRo) is back with some powerful messages.For me, this wasn’t Derek’s best, but it’s seriously hard hitting.The messages in songs like “Dear Mr. Christian” are a necessity for today’s generation.It’s a solid album that all hip-hop fans should spin at least once.
6. No More Hell to Pay, Stryper - Michael Sweet still has an amazing set of pipes.These kings of 80’s glam metal have returned with their best since the smash To Hell With the Devil.I finally listened to this one late in the year, but it was still in contention for a top spot.It’s a fun record with great music and a straightforward and Godly message.Stryper is back and bringing that familiar Stryper sound with an added modern twist.
We've been picking our Year-End favorites in Christian music for 11 years now, but we've always kept the lists themselves pretty straightforward as titles and artists only. This year, we thought it'd be fun for any of the staff who were interested to present their lists (in addition to the official compilation of staff members) in blog format with our own commentary on why the albums were picked. Alex and Mark have already weighed in, and I thought I'd follow suit.
Inland, Jars of Clay -- I realize this'll show my age some, but back in 1995, I first saw Jars of Clay open for PFR before their self-titled debut even released. My older brother actually ended up liking their live show more than I did, but it didn't stop me from grabbing his album preview cassette (remember those?) and listening to it over and over while waiting for the full CD to release. I ended up calling my local Christian bookstore every couple weeks to find out when the much-delayed album was going to be in stock (the date kept moving apparently...the internet would have been nice to have at this point in time). So, since 1995, when I was a freshman in high school, I've been listening to Jars of Clay pretty faithfully. There isn't a single other band I can think of that I can tell you that I've listened to from the age of 15 to today at 33 where not a single one of their members have left (or have been added) and they haven't broken up and reunited at some point. I've listened to Jars as a teen, when I started JFH (I even saw them in concert the same night I started JFH), during my dating years, while engaged, newly married, trying to figure out adulthood, entering into parenthood, and trying to adjust to change and getting older. You can realistically look at where Jars of Clay was when they started, musically and lyrically, and where they are today and see incredible growth and maturation. So, all of that is to say that Inland hits home now as an adult about as much as the debut did when I was in my mid-teens. I'm quite thankful these guys are still at it full-time.
The Glorious Unfolding, Steven Curtis Chapman - In the same way that I started listening to Jars as a teen, I first started listening to Steven Curtis Chapman when I was around 14 years old, and a fairly new believer. His album Heaven In The Real World struck a major chord with me as someone looking for hope during those perplexing, trying teenage years. (Let's face it: high school is TOUGH!) His songs have always resonated with me, and The Glorious Unfolding has already been speaking volumes into my own life. I've already turned to songs like the title track and "Take Another Step" as a soundtrack for the current season of life.
Need You Now, Plumb - You're going to see a pattern here... Plumb is another band I started listening to right out of the gate with their debut in 1996. The industrial rock sound that Plumb displayed (y'know, before Tiffany adopted "Plumb" as her name instead of as a band name) was cool and different for the Christian music industry, but it isn't the sound that she would become known for. Need You Now has not only been a longtime coming, but it's a record that, like The Glorious Unfolding and Inland, represent seasons in these veteran musicians' lives, and seasons I can relate to as a longtime fan and listener who's grown along with them.
Reanimated, Family Force 5 - Hey, there's something to be said for guilty pleasures. Family Force 5 was a band I first experienced at GMA Week 2005 in Nashville, TN and was immediately captivated by their fun-loving live show. It's really not my typical kind of music, either, but there's just something about them that I've always loved. Reanimated captured some more of the fun that seemed to be in short supply on their album III, while offering a couple of their new live fan favorites (like "Chainsaw"). And with Solomon "Soul Glow Activatur" Olds' recent announcement that he has left the band, this collection serves as his swan song as vocalist and an end of an era.
Fading West EP, Switchfoot - Some will find my inclusion of a 3-song sampler EP on a year-end list as a cop-out (especially since I can tell you pretty confidently already that Fading West will be somewhere on my 2014 year-end list), but I feel like I have good reason... Aside from the fact that Switchfoot is another band I've listened to since their 1997 debut, The Legend of Chin, when I was a senior in high school, Switchfoot has been another band to write songs that have spoken to me throughout many of the chapters of my life. I downloaded this EP from iTunes while sitting in a hotel lobby in Switchfoot's hometown of San Diego, CA. I'd never been to California before, but my older brother moved there almost 9 years ago and we'd made our first visit to the left coast to visit them this year when his first child was born (she's the most adorable little niece I could ask for! but I digress...). I was taken back by the immensely poppy sound of the new Switchfoot songs, but with more listens, I began to see something different in them (plus, hey, it was just really cool listening to their music IN San Diego for the first time since I first heard them 16 years ago!). [Side note: I'm still not a fan of their Oh! Gravity. album, aside from a couple songs--like "Awakening", so I'm not just one of those fans that is quick to love everything a band does.] Since first listening to this EP, I've seen the Fading West film and gotten the chance to hear where these songs fit into the movie as part of its soundtrack. I've also heard all three songs live, and I've been listening to the full-length album that releases in a few weeks. I can honestly say I love this EP and it represents a memorable chapter of my year this year. (And, quite frankly, I loved this 3-song EP more than most of the year's full-length albums...even if I'm still partial to Switchfoot's Vice Verses kind of sound)
Troubled Days, Seabird - Seabird is a great example of a band I didn't fully "get" until I saw them perform live in concert at a festival while they were touring their debut album. Now, they're fully indie and have self-produced their latest record, Troubled Days. It didn't disappoint and was surprisingly a melancholy commentary on love, lost love, and perseverance in love. It's something most anyone who's been in a relationship can really relate to... just keep some tissues on hand.
Live, All Sons & Daughters - If you've been reading JFH for any amount of time, not only will you notice that we collectively, as writers, look for art in music to be married with worshipful lyrics, but I myself am very, very (very, very) picky when it comes to worship music. Trust me, it's nothing I'm proud of. If anything, I'd love to be able to pop on any given worship album and blissfully connect with our Savior through the music. However, it's not the case for me at all. Worship music that stands apart from the norm, doesn't subscribe to overly simplistic instrumentation, structure, overused phrases, over-sung choruses, or subpar vocals, seems to be near impossible to find. But with All Sons & Daughters, we have a pairing of artists who not only can sing, but really know how to write a great song that can be used in corporate worship or in a more intimate setting.Personally, I feel like a lot of LIVE worship albums have a "you just had to be there" feeling, while some can really pull you into the experience. (I'm more partial to intimate worship considering how some big, loud, boisterous live worship albums can seem too showy) All Sons & Daughters' LIVE album is a near perfect presentation because it's got the energy of a live album but the sound of a more intimate experience. It's easily my favorite worship album of 2013. Nothing else comes close.
Freaks, The Hawk In Paris - Speaking of guilty pleasures, if you haven't heard of The Hawk In Paris, you may be surprised to know that it's Jars of Clay vocalist Dan Haseltine's side project. It's not really a CCM market release (although he did give us permission to cover it with that understanding), but it's a batch of synth-popanthems for the soldiers on the battlefield of love. It's very different from Jars but fans of Dan's day job will probably find a lot to like about this one. (I mean, c'mon... he's got a song with the chorus "Our love is science fiction"!)
Currents, Eisley - Eisley's The Valley was a very different record for them, but it spoke to the different experiences of my own romantic ups and downs throughout my own life. Currents was more of a return to form for the band (I also loved Combinations and this more closely follows that album in feel), and is definitely an album I haven't overplayed, so it's still a treat to revisit each time.(And be sure to grab the live acoustic versions they released exclusively through iTunes!)
Black and White, Tal & Acacia - Tal & Acacia's label debut Wake Me surprised me. Equally surprising was Provident Label Group's blatant dropping of the ball in promoting that fine record. (Really. Just because it didn't fit AC Christian radio didn't mean it didn't have some serious gems on it!) It had a mix of fun and serious with some truly impressive vocals from these sisters at its forefront. Their follow-up, Black & White, was entirely fan-funded via Kickstarter and self-produced by the girls. It's a much more laid back and raw (production-wise) album compared to Wake Me, but there's something so infectiously charming about these two that it makes it quite difficult to ignore. I really hope it won't be too long before we hear new music again from these gals again.
And that's it. I did have a few other albums warring for my top 10. For kicks, here they are: Five Iron Frenzy, Engine of a Million Plots .... Justin McRoberts, K .... Arrows & Sound,Arrows & Sound .... Newsboys, Restart (It's still not "Newsboys" without Furler to me, but it's a catchy record nonetheless), and Audio Adrenaline,Kings & Queens (likewise, it's not really AudioA as I know them without Mark, but Kevin Max's incredible vocals make this a top pop rock album)
And yet another year in music is drawing to an end. Like any year, there were plenty of great albums released, as well as plenty of doozies and plenty of albums in between. I doubt it will come as a surprise to anyone that I didn’t listen to all of them. BUT, I listened to a lot of them. In fact, at this exact moment in time, I calculate that I have listened to 87 albums (covered by this site) released in the calendar year of 2013, covering a wide variety of genres. And I honestly really liked a lot of them. To be honest, I had a genuinely difficult time narrowing it down to just ten, both in spite of and thanks to the fact that other than my album of the year (and possible #2 too), there were no albums that I fell head-over-heels in love with. But narrow it down I had to, so I did. As such these are my personal top ten albums of the year…
1. Beautiful Eulogy Instruments of Mercy
I direct you to my review. Nothing more need be said.
2. Plumb Need You Now
Prior to Need You Now, Plumb had made five high-quality records, with Chaotic Resolve being the best of the bunch. But this record easily bests all five in my book. A superb balance of accessibility and artistry that pulls my emotional strings in all the right places, Plumb’s album is pop/rock gold.
3. Derek Webb I Was Wrong, I'm Sorry, & I Love You
Another artist with a proven track-record of quality, Webb has no fear of being provocative. But on I Was Wrong…, he turns his sharp tongue on himself and he delivers his most introspective effort ever, as well as his most organic and inviting album in years.
4. Steven Curtis Chapman The Glorious Unfolding
Allow me to indulge myself by mentioning this quality record from my personal favorite artist. The Glorious Unfolding is unequivocal proof that Chapman can reach across generation lines as well no as he could twenty years ago, making high-quality contemporary pop/rock that is still as relevant now as it ever was.
5. Audrey Assad Fortunate Fall
Last year’s offering from Assad was my introduction to her captivating piano pop, but while Heart was without doubt a quality record and I certainly enjoyed it, I personally found it less than enthralling. Fortunate Fall, however, enthralls me. Stripping all away but Assad’s voice and a piano (with sparse instrumentation), this soothing, liturgical worship record was nothing less than phenomenal.
6. Daniel Amos Dig Here Said The Angel
Seventeen years before I was born, Daniel Amos was formed while Christian Rock was still a child. In 2013, I heard my introduction to Daniel Amos through the band’s 14th studio album (and first in 12 years), Dig Here Said The Angel. Their alt rock sound is so timeless that they could sound at home in any one of the last five decades.
7. Jars of Clay Inland
When a band reaches the heights and prestige that Jars of Clay has, expectations become almost impossible, so the foursome has wisely decided to ignore them and simply make high quality music. Inland is a more melancholy album than I personally would have preferred (hence, why it’s “only” number seven), but the quality, originality, and all-around effort is undeniable and incredible.
8. John Elefante On My Way To The Sun
Having never before heard of John Elefante, I chose to review On My Way To The Sun almost by random impulse. In hindsight, I am very tempted to attribute that impulse to nothing less than divine influence. Drawing inspiration from classic and progressive rock and 90’s contemporary (among others), the former Kansas lead singer and prolific Christian Rock producer delivered my personal surprise album of the year.
9. Stryper No More Hell To Pay
I’ll be honest; I like Stryper, and appreciate their immense impact on Christian music, but I’ve never been too impressed with their music. Not until No More Hell To Pay. By far the group’s most mature and complete work, No More Hell To Pay delivers an album that is both quintessential classic Stryper metal and a refreshing update to their sound (rather than one-or-the-other like their other 21st century albums).
10. Falling Up Midnight on Earthship/Falling Up Hours
These two albums together (along with a book) form the Machine De Ella Project, released track-by-track over a period of over four months. Though not technically related (and admittedly written for different fanbases), these albums complement each other wonderfully between the drawn-out experimental effort Hours and the more mellow, ethereal Midnight on Earthship.
Thankfully, my list of honorable mentions need not be confined to ten, and if the readers might indulge me for my overwhelming gushing, I will take great liberties with that freedom. These albums may not have cracked my top ten, but I’d be no less satisfied with it if they would have…
All Sons & Daughters Live: probably the best pure worship album of the year.
The Almost Fear Inside Our Bones: The first half of this album was album-of-the-year material.
Andy Mineo Heroes For Sale: Excellent and diverse hip-hop from Reach Record’s newest star.
Arrows & Sound Arrows & Sound:Indie experimental at its best from the former Remedy Drive member.
The Digital Age Evening:Morning: The former DC*B members deliver an excellent debut album with room to improve.
Dustin Kensrue The Water And The Blood: Creative, theologically dense worship music from the former Thrice frontman.
The Ember Days More Than You Think: Gorgeous indie worship and the last album to be cut from my top-10.
Extol Extol: I may not be the biggest metal fan, but this was too good to ignore.
Golden Youth Quiet Frame; Wild Light: To be perfectly honest, I didn’t discover this one until my list had been made.
Hillsong UNITED Zion: A phenomenal musical and lyrical upgrade to Hillsong’s usual fare
Least Of These Change Will Come: Aggressive indie rock with a offered as a free gift.
Norma Jean Wrongdoers: By far my personal favorite Norma Jean album
The Ongoing Concept Saloon: Wild, chaotic, awesome, unpredictable western influenced metalcore
Phil Wickham The Ascension: Solid modern worship even by Wickham’s high standards.
Steven Curtis Chapman Deep Roots: Organic bluegrass renditions of hymns and past hits from my favorite artist.
Tal & Acacia Black & White: Delicious bluesy pop from two sisters with phenomenal vocal chemistry
The Walking Tree We Are Instruments: More aggressive indie rock offered as a free gift.
Alex "Tin Can" Caldwell's Staff Picks 2013 Thoughts
1. Jars Of Clay - Inland
People listen to music for wildly different reasons. Some folks need something to be on in the background during a shift at work, something to occupy their mind or fill up the lonely space around them. Some folks just need to party, and music serves as a catalyst for the good times. Some just like a catchy tune to sing along to.
I’m fine with all this, but I’m always on the lookout for something that moves me, engages all the senses. Melody is necessary, but thoughtfulness and purpose are important too. Music that sticks with me beyond the first listening is what I’m looking for. One Direction might have a catchy song (I saw them on Saturday Night Live a week ago), but that song didn’t really say anything. It was like a piece of candy; yummy but ultimately empty and vacuous.
And no other album hit all those requirements this year like Jars Of Clay’s Inland. It has a strong sense of purpose and theme (not just getting older, but maturing) married to memorable and tuneful songs.
It all started for me with the title. I read a post when the band announced the album’s name, and I was immediately struck with the possibilities of that one word - “inland.”
You see, I’m from the coast of Maine, and I know what it means to go inland. It’s a trip, a hike, a journey. You are leaving what is familiar and traversing into the unknown. The true pioneers of our country went inland; the timid folks remained near the coast and settled.
And Jars Of Clay did exactly what I hoped they would with the title; they used it as a great metaphor for growing up, maturing, and making better decisions. It’s a hike to get away from the coast, from what is usual and familiar, but it’s a trip worth taking. There are mountains to cross, but what you get on the other side is worth the hard work, and is so much better that moldering on the coast. It’s worth it to push inland.
The song titles alone are worth the price of admission. “Reckless Forgiver” (I sure need one everyday), “Love In The Age Of Immature Mistakes” (experienced it, made some big ones), “Love In Hard Times” (had some to get me through), “Loneliness And Alcohol” (we’ve all experienced loneliness, thankfully I knew from a very early age that substances are never a good solution to turn to, thanks mom and dad.)
Production wise, the album is full of sharp songwriting and great performances and great instrumental choices. And Dan Haseltine’s witty, insightful lyrics bring everything home. It’s the total package, and a blueprint for how to mature as a band.
May we all continue to march “inland”.
2. Aaron Sprinkle - Water & Guns
It’s great when a veteran makes a great, unexpected return. Aaron Sprinkle was the main songwriter in beloved 90’s alternative band Poor Old Lu, and he last put out a solo album in 2004, the fantastic compilation that was ironically titled Lackluster. Since then he has been the in-house producer for the Tooth & Nail/ BEC collective. The label kindly let him release this sugarcoated convection of an album this year. Sounding like Sprinkles’ current band Fair mixed with Postal Service type soundscapes, Water & Guns is a bottom to top great album of tuneful songs that prove that what makes you dance and smile can also make you think, feel and ponder.
It’s a wondrous thing when technology is incorporated into music, and somehow makes the music seem more human and emotional in the process. Aaron Sprinkle, who I fist heard back in the early 90’s, shows he knows how to write a hook-filled album that also speaks of deeper truths and rugged faith.
3. Over The Rhine - Meet Me at the Edge of the World
I first saw Over The Rhine live at a small church in Philadelphia in the fall of 1996. I still have not recovered from that concert. They were touring with the Vigilantes Of Love, and that show maintains its number one status as the best show I have ever seen.
And Over The Rhine has never put out a bad album either. Meet Me at the Edge of the World is a wondrous double album that finds main songwriter Linford Detweiler singing alongside his wife more and more, and the harmonies this couple weaves in and out are worthy of Simon and Garfunkle. The album swings from folk-rock to blues to rock and roll and back again. At almost two hours of music, Over The Rhine continues to turn out rich and meaningful music well into their twentieth year.
This band is a well-kept secret that is told more and more every year.
4. Five Iron Frenzy - Engine Of A Million Plots
I had forgotten how much Reese Roper and company made me think as I was skanking away in the mosh pits of my college years. Some of the boldest lyrics in the Christian music marketplace made Five Iron Frenzy a treasure. The band has questioned the American church’s love affair with the right wing of this country, and the glossing over of history when it comes to marginalized people. Taking on gun-culture (“lock and load, just like Jesus did!”) and the soft racism that parades itself as much of “immigration reform” (be scared of brown people, even if they are providing the services that allow you to eat that cheap cheeseburger!) Back in the day, few youth group leaders realized that their kids were listening to critiques of the military-industrial complex or America’s treatment of its Native American population. It’s possible that Five Iron Frenzy was the most subversive thing on the Christian Bookstore’s shelves.
Five Iron has a sneaky way of making you think while you shake about. Their sound here is matured, but familiar. This is a blueprint for how to make a return, rock the body, illuminate the mind.
5. Beautiful Eulogy - Instruments Of Mercy
I am way out of my depths discussing hip-hop. I have very little experience with the genre and I’m constantly afraid of making blundering, mildly-racist observations when the topic comes up. Being from rural Maine does not lead to much perspective here, but Instruments Of Mercy seems like so much more than just beats and rhymes. Genuine instrumentation is the order of the day, and a deep artistry of matching music to themes bursts out of the speakers. “Cello From Portland” opens up the album well (despite its painful pun) and “Vital Lens” and the title track mesh acoustic guitars and pianos to fierce and thoughtfully spit out lyrics. The ending of “Instruments Of Mercy” with its sung ending coda shifts from a hip hop number to a folky, campfire sing along with ease. The takedown of the miserable prosperity gospel that pervades television and bookshelves on “Symbols and Signs” sounds like an updated version of a Old Testament prophet standing on a hill outside Jerusalem and taking down a corrupt kind who would use Jehovah for personal gain. More power to you Beautiful Eulogy.
6. Gungor - I Am Mountain
I think I’ve hit on a theme here, because I Am Mountain might be the most subversive and thought provoking thing currently sitting on your local Christian bookstore’s music shelf.
Coming from a band who made their mark in worship music and touring with the likes of David Crowder Band, Gungor’s new album contains songs that sound like the list of following influences: Sufjan Stevens, 80’s soft rock band Toto, the auto-tuned tendencies of the last few years, the dance music of Daft Punk and the film scores of Ennio Morricone (The Good The Bad And The ugly).
But beyond the wild mix of influences, the questions asked by I Am Mountain make me glad that they took a risk and followed their consciences in making something that was not “safe” but was “true” to the Christian tradition of questioning the status quo. “God An Country”, a song that traces the history of the United States’ dependence on fossil fuels and the wars that dependence has sparked, is probably not played on the loudspeakers very often at your local Family Christian Bookstore, though maybe it should be. This album is the spiciest tamale’ currently in circulation.
7. Citizens - Citizens
By now, most folks know what “worship music” is supposed to sound like (mid-period U2 and Coldplay, with a touch of Pink Floyd for the daring), but Citizens have come charging out of Portland, Oregon (a great city for subversive art and culture, see the show “Portlandia” for further research) with a poppy, punk-rock take on worship. The same vertical lyrics are present, but they are delivered on a bed of spiky guitars and vocals that are anthemic, inspiring and refreshing.
8. Audio Adrenaline - Kings and Queens
I wish these guys would have just gone ahead and named their band something else, because one founding member does not a band resurrection make, especially if that band’s lead singer is well known from his time in another beloved band. It’s like Sting fronting Pearl Jam and still calling the band Pearl Jam. It’s just a silly marketing tactic based on name recognition.
Having said that, the album Kings And Queens is a really tuneful slice of pop-rock that sounds great on the highway and has ten songs that sound like summer and surfing. “Believer” and “Kings And Queens” soar in that way that my ears love, and the video for the title track is heart felt and inspiring in all the right ways.
These guys got back together to raise awareness for the band’s longtime commitment to the orphans of Haiti, and that makes this a comeback that I can get behind and trumps my (mostly surface-level) objections. “Boys will be kings, girls will be queens when we love the least of these.”
9. Plumb - Need You Now
This is another welcome comeback in a year full of them. Tiffany Arbuckle Lee has always had a knack for the dramatic, and it serves her well here on tunes like “Drifting” and the pleading and worshipful title track. The mix of industrial crunch and alternative rock set against Plumb’s wailing voice and great songwriting make Need You Now a comeback worth waiting for. Arbuckle Lee reportedly had a few tough years leading up to the release of this album, and that makes the title all that more important and resonant.
10. Fiction Family - Fiction Family Reunion
When does Jon Foreman sleep? Does he write a song every night before he goes to bed? Does he own stock in Red Bull? Is he currently sitting on twenty albums worth of material?
I hope so. His songs with Nickel Creek’s Sean Watkins are folkier versions of Switchfoot songs, but retain the great lyrics (“God Badge being another Old Testament style takedown of shallow religion) and fantastic melodies fans have come to love.
Top 10 Songs of 2013:
1. Switchfoot - “Love Alone is Worth the Fight”
This song does what I hope every new song I hear will do; inspire me to get up, get out of my comfort zone and go live this life God gave me to the fullest. There are few things worth fighting for, most of our struggles down here are for silly things; things that are passing and are honestly a waste of precious personal energy and resources. Love alone is worth the fight. If you mix soaring music with a worthy message then you have me every time. Currently, Jon Foreman and Switchfoot do this for me more than anyone else out there right now. This is a lyric I have written down, put in my pocket and hope to live out every day. Loving my neighbor as myself is a good way to “put my God badge down.” Thank you Switchfoot.
2. Jars Of Clay - “Reckless Forgiver”
Why does God forgive? Why does he show grace? It seems pretty reckless to me, like I’m only going to break his heart again. For that matter, why does my wife extend me grace, why do my daughters? It’s hard to understand, but no less real.
I need a reckless forgiver. I’m so often a mess. It really is amazing grace.
3. Jason Gray - “With Every Act Of Love”
“God put a million doors in this world for his love to walk through. One of those doors is you.” Amen. Jason Gray’s music is consistently the best that you will hear on Christian radio.
4. Aaron Sprinkle - “Giving Up The Gun”
…a great song of hitting bottom, surrendering and seeing that the rescue you need is closer than you realized.
5. Fiction Family - “God Badge”
“Put your God badge down and go love someone.” Maybe I should take that fish off my car and go help someone in need.
6. Plumb - “One Drop”
The best use of a ukulele this year. The video inspired my daughters to buy gifts for believers in third world countries this Christmas.
7. Five Iron Frenzy - “Zen and the Art of Xenophobia”
Here is an exercise for you: Go look up these lyrics on the internet, print them out and stare at them for a few minutes. Then consider your position on current hot topic political issues.
8. Audio Adrenaline - “Believer”
Kevin Max sounds fantastic here, and this tune swirls and soars and makes me want to punch the air Rocky Balboa style.
9. Over The Rhine - “Meet Me at the Edge of the World”
This is a song where the world-weariness seeps into every note. Life is hard, but it’s worth living well. Sometimes it helps to think of what is ahead, and the world being re-made.
10. Beautiful Eulogy - “You Can Save Me”
A sermon set to a great set of beats. This is where the mix of faith and hip hop shines the brightest in my opinion.
And that is all. It’s great to think back on all the great music that I listened to this year. Sometimes a reviewer’s work is tough, because there is much that you have to call what it is; lazy songwriting, uninspiring melodies etc. It’s refreshing to talk about the good stuff all in one spot.
Have a great 2014, and remember, love alone is worth the fight.
Hey guys! Each year, the JFH staff like to choose their favorite albums of the year and post them for all to read, and we know everyone's thoughts and opinions differ, so we - once again - want to give you, the reader, the opportunity to share YOUR top 10 albums in the Christian market of 2013!
So, please feel free to post a top 10 album list of 2013 in a format similar to below. I'll post my 2013 album picks as an example...
We are more than 50 years into this rock and roll experiment of ours. 1963 gave America its first exposure to the Beatles and the Rolling Stones, and before that, Elvis Presley and Buddy Holly had provided a musical soundtrack to the lives of countless folks. Elvis' "Heartbreak Hotel" helped many get through their first heartbreak and the Fab Four's "Hold My Hand" captured that feeling of young love in three minutes of sheer youthful energy and enthusiasm.
But pop music can be a fickle friend. That same artist who spoke to you so clearly in high school or college might not have aged all that well. That band that soundtracked your last summer of freedom before the realities and responsibilities of life caught up with you might now be embarrassing to watch or listen to. I have seen a few heroes of my youth in concert recently and wondered "What are they thinking? Have they run out of ideas and energy completely?" There is nothing quite like seeing a hero in their twilight.
But some beloved artists of my youth are as good as I remember, it's just that economics and trends are not always on their side. They might have been the go-to artist for that lonely night in the dorm room in February of your freshman year of college, but it didn't quite work for them, financially speaking, to keep going, year after year.
But the economics of the music industry have almost always been tough to traverse. The normal cycle of putting out albums, touring and repeating, can be withering to family life and good habits, and many artists put in a few years before entropy catches up with them and hard choices need to be made. Ghoti Hook, a classic Tooth and Nail punk band, named their last studio album Two Years To Never to illustrate how much longer they could sustain the grind of trying to make a living while driving around the county in a van going into their 30's.
But often, no matter how successful an album or tour might be, there is always musical mortality right around the corner. The winds of taste and preference change rapidly, and that rap-metal sound you dig today might be noise tomorrow to many. (I missed the rap-rock thing almost entirely, though my little brother loved Pillar and P.O.D., so it was always sort of around me).
As a result, artists hang it up and go find gainful employment elsewhere. Many in the CCM arena go work for churches and ministries where they can be close to home. Some try their hand at other art forms like film and novel writing. Some become policemen.
But the thing is, their music is always sort of around. Their CD (or tape or vinyl album, etc) is still in circulation in some form--be it in a bargain bin, a Good Will store or your uncle's bookshelves. So, though an artists' popularity might be at a low ebb, their music is still being discovered, even if it's at a yard sale.
And so, that once popular artist, who once topped retail lists and sold concert tickets and t-shirts, find themselves at a tough crossroads. The people who once bought a concert ticket, album and t-shirt still love the artist, but the economics of the music industry (which is rapidly changing year to year) go with the younger, cheaper-to-sign artists rather than taking a chance on a veteran artist's next album.
That's why I'm thankful for Kickstarter. This fundraiser site allows veteran artists to appeal to their fan base and raise money for projects like tours, new albums and so on.
There is an existing fan base out there to be cultivated; it's just the folks in that fan base started paying attention to new music less as their thoughts turned to having children, buying houses, dealing with grumpy bosses and other signs of growing up in these times of ours.
Take for instance this week's artist of the week, The Choir. They've made great albums since the early 80's, toured their brains out for fifteen-plus years and are still the best of friends. But the tide is against them in a traditional music market, and especially for being signed to and promoted by a label. The numbers just aren't there. But they have maintained a passionate following over the years by making fans and friends one by one and releasing good-to-fantastic (and mostly self-funded) albums every few years.
And now, they've run a super-successful Kickstarter campaign to fund a new album (one they can craft with time that a budget can afford) and a career spanning live album. They raised so much money that they can now buy new equipment for the road and tour a bit more than they have in recent years. It's a win-win situation all around. They brought in twice what they asked for, and got a huge dose of encouragement in the process. Those fans were still there, and happy to help out.
This model has worked out for other veteran artists, too. Five Iron Frenzy, Daniel Amos, Steve Taylor (of "I Want To Be A Clone" fame), Guardian and Andrew Peterson (he raised almost five times the funds he asked for to publish his latest book), have all run successful campaigns. There will no doubt be a slew of artists trying this model on for size in the next few months. I suspect the Lost Dogs, the 77's, Vigilantes Of Love and more will try and stir up their fan bases. The money raised has not been proven to be able to kick start a career back to its glory days yet, but it's a great way to keep making music and to hear one of your favorite artists grow alongside you. They still have songs to write and miles to go before they sleep.
So here's to the internet, and the boundless opportunities out there for veteran artists of every kind. You are not forgotten. Your CD is still on my shelf, and that t-shirt is still in my drawer.
And those lyrics? They are still written all over every notebook I own.
Favorite Band/Artist: Audio Adrenaline Featured Fan:Dan Castagna Location: South Jersey When/Where Was The Above Photo Taken: Cherryville, PA Kings and Queens Fall Tour What About This Artist's Music Speaks To You: Kevin is such an awesome singer, his voice is like no other.He is extremely creative in his song writing.His songs challenge everyone to think, be themselves and live a life worth of the call.The rest of the band is incredibly humble.They are so ready and willing to serve others. Favorite Album by This Artist: Kings and Queens
Favorite Song by This Artist: "Seeker"
Favorite Live Show Experience: Cherryville PA
Number of Times Seen This Artist Live: 3
Favorite Piece Of Merch/Item You Own From This Artist: Signed set list
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It's Christmastime again! Yes, Thanksgiving is over, so for those of you who wait until the turkey is fully digested to even think about jingling bells, the time is here.
If you're like us--and especially, me--you've already dusted off some Christmas records or plopped a batch of Christmas favorites onto your mp3 device to start getting into the holiday season again. And each year, there's new Christmas music that tosses their proverbial hats into the ring in hopes to join your annual rotation of holiday favorites.
But what albums do you return to each year?
SOME STAFF FAVORITES
A couple of the JFH staff rounded up a list together of standout albums that we turn to each Christmas season from artists in the Christian music realm. Here are just a few of them:
Of course, many artists just do a song or two, and for me, ones that come to mind are Switchfoot's "Evergreen" and "Old Borego," Audio Adrenaline's "Little Drummer Boy," Supertones' "Joy To The World," Five Iron Frenzy's "You Gotta Get Up," NEEDTOBREATHE's "Go Tell It On The Mountain," PFR's "Wonderful Christmastime," Charmaine's "Angels We Have Heard On High," Seven Day Jesus' "O Holy Night, Joy Williams' (before The Civil Wars) "Have Yourself a Merry Little Christmas," Plumb's "It's Christmastime," and TobyMac's "Christmas This Year (feat. Leigh Nash)," among others.
NEW IN 2013
If you're looking for NEW music that's released this year in 2013, several projects have been released including (but not limited to):
Singles: Group 1 Crew ("Holly Jolly Christmas") [iTunes], Britt Nicole ("O Come All Ye Faithful") [iTunes], and Love & The Outcome ("Emmanuel") [iTunes].
Full-length Albums: Brandon Heath (Christmas Is Here), Falling Up (Silver City), Dave Barnes (A December To Remember), Sidewalk Prophets (Merry Christmas To You), and Paul Baloche (Christmas Worship), John Schlitt (The Christmas Project), among others.
EPs: Citizens, (Repeat The Sounding Joy), Meredith Andrews (Behold The Savior), for King and Country (Into The Silent Night), Future of Forestry (Advent Christmas, Vol. 3), and The Rocket Summer (Christmas Madness).
So there's really quite a bit to choose from -- what are YOU spinning this holiday season?
Favorite Band/Artist: Switchfoot Featured Fan:Drew North Location: St. Louis, MO When/Where Was The Above Photo Taken: 9/20/13: First night of the Fading West tour at Missouri Baptist! What About This Artist's Music Speaks To You: Switchfoot go against the grain as far as spiritual music is concerned. While they do get typecast as a Christian band, I love the quote Jon said about who the band really is: "For us, it's a faith, not a genre. We've always been very open and honest about where the songs are coming from. For us, these songs are for everyone. Calling us `Christian rock' tends to be a box that closes some people out and excludes them. And that's not what we're trying to do. Music has always opened my mind -- and that's what we want." Every single album they have changed it up and gotten more progressive in terms of music and lyrics. Jon and Tim Foreman have some incredible ways to get points out that no one has even dreamed of doing before. From the Legend of Chin up to Fading West coming out in January, this band is one of my all time favorites and still continue to overwhelm and inspire me and after seeing Fading West the movie, I have found a new love and respect for the guys (especially after meeting them). They truly are the real deal. Favorite Album by This Artist: I do like all of them, but all time i'd either go with The Beautiful Letdown or Vice Verses (so far)
Favorite Song by This Artist: "Where I Belong"
Favorite Live Show Experience: First night of the Fading West tour, we were the first crowd of people to see the documentary and witness how the band was going to approach the tour in terms of it being something new for them which turned out to be a neat and unforgettable experience.
Number of Times Seen This Artist Live: 2
Favorite Piece Of Merch/Item You Own From This Artist: Fading West VIP laminate and exclusive poster signed by the band.
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Let's face it; music just isn't the same as it was 20, 30, even just 10 years ago. Thanks to the digital age (err... mp3s and such, not the band), not only can we carry our music collection around in our pockets (which previously would have not only looked ridiculous -- be it CDs, vinyl, tapes, 8-tracks, etc -- but it's actually physically impossible), but we can easily go to any digital retailer (like iTunes or AmazonMP3) and literally shop for songs like you would hunt-and-peck for eats at a buffet.
"I'll take a song or two from Skillet, maybe a single from RED, how about most of the songs off this Lecrae record, and this new Switchfoot single."
To do that before, you... would have had to buy each album entirely.
I remember buying a CD--which shall remain anonymous--years ago because of a music video I saw for a song off that album. It was a weird video but the song was quite catchy. The rest of the album though? Nothing like that single! The rest of the album was quite bizarre and eccentric (kind of like the music video itself was, but not the song in the video). In today's music world, I could have just purchased that song alone and thus saved myself money to buy other songs or a full album from another artist.
But let me ask you this -- How many times have you purchased a full album -- be it a CD, vinyl or mp3s -- because of one song and you discover "Oh my goodness! I love the whole album!!" IMAGINE if you had only bought that one song by itself and never heard those other songs?
So with people buying songs a la carte a lot these days, the music industry has had to rethink the album model. Labels want artists who can fill an album full of singles. This alone raises another question though - how many times have one of your favorite songs been one of those kinds of songs that would NEVER be played on radio as a single? Kind of scary, huh? That'd be like Jars of Clay's self-titled debut album not having a song like "Worlds Apart" on it. You can assume that pretty much your favorite ballad (or really hard song...or lyrically deep song) on any given album from a band who otherwise gets airplay would not exist.
And so, many bands and labels are looking at releasing more singles and EPs. EPs are those little 4-song (or sometimes a few songs more) samplers that, at one time, would usually accompany a full-length album. However, they've kind of just become appetizers and cheap ways to release less music it seems. [Some argue that it's less music but released more often, but it seems most artists don't adhere to that idea. I once heard, many years ago now, a record company employee say that EPs were the future; that labels would release an EP from an artist and then fans would get EPs every 6 months from that artist... Thankfully, that hasn't exactly become the norm.]
Gone seem to be the days when a band crafts an honest-to-goodness ALBUM. An album where every song works together in a seemingly common goal or theme. Instead, we have more EPs that just feel like short little bursts of new goodness that kind of tease you and leave you hanging and seldom feel complete.
So what are YOUR thoughts? Are you an "album" buyer? Do you like and prefer EP's? Or do you like your songs more a la carte? (i.e. You just pick and choose your favorite songs from album to album) Me? I do prefer a good, solid album... But what about you?
Earlier today, a famed band by the name of PFR (JFH artist page) closed the door on its much anticipated Kickstarter launch and on its triumphant return to the music industry. And the saddest thing is you have probably never heard of them. And, if they were current, you probably wouldn't listen to them. Music has changed so much over the last two decades and it's hardly debatable if it's for the worse.
So let me explain the last twenty years to you from the perspective of a huge PFR fan and what they have meant to me. In the early 90's, when I was first being introduced to "Christian music," there were several groups I was exposed to: Petra (much to my parents chagrin) and Carman. At this point in life, I was just about to embark on my high school journey. I came across PFR thanks to Cory Edwards. His show Signal Exchange introduced me to awesome bands like Audio Adrenaline, dc talk, Big Tent Revival, Hokus Pick Maneuver, Iona and Whiteheart. But out of all of them, PFR has been the one band over the last twenty years that has remained timeless.
So, from 1992-1994, this band released three studio records: their self titled debut, Goldie's Last Day and Great Lengths. Goldie's Last Day (the song and the record) had and still has some of the finest musicianship and some of the most incredible harmonies I've ever heard. I wore that album out so much over the years. Let me quick explain something about reviewing music to everyone; it gets old quick, especially if you don't enjoy what you're listening to. But to do a proper criticism, you have to immerse yourself in the music. I did that for twenty years with this album and it has never gotten old.
So skip ahead to a year later, and they released Great Lengths just after Christmas in 1994. I remember buying that at a home school convention booth in Hershey, PA after my parents decided to start home schooling my siblings. I must have walked past that booth 100 times wishing I had the money to buy it. "Wonder Why" is still one of the best songs to sing at the top of your lungs. Their next record, Them, released in 1996, was harder, darker and sadder than anything else they'd done prior. Perhaps it's from the years of perspective looking back on what was to be their final project in 1996 that makes it feel gloomy. The next year they released three new tracks on The Late Great PFR that almost make me weep when I hear them to this day.
Skip ahead four years and think of Christian music during that time. Bands are breaking up left and right. These are bands that had large influences in my life and bands that showed so much promise: Church of Rhythm, Seven Day Jesus, Reality Check, johnny Q. public all came and went. Then the compilation Roaring Lambs is announced. And what appears on the track list but a brand new song by PFR (and Steve Taylor!) and I'm so excited. "Maybe the fact they're coming out with this song, 'Kingdom Come,' means they'll make more music??" And lo and behold, the following year they returned with Disappear (on Steve Taylor's own label, Squint), and that's what they did (vanish, that is) for another three years until they released The Bookhouse Recordings. And you know what, I don't care that it was commissioned by Family Christian Stores and recorded in a couple days' time; it was great. "In the Middle" is a great song.
Skip ahead 7 years (ask Crowder if that was a coincidence) and they announce a tour to coincide with their 20-year anniversary and a StageIt.com performance. I dragged my wife to John's house to see that. After they announced their Kickstarter project this month, I was counting my money and getting ready to blow my budget. And then the band announces today on their Facebook page that they are officially over and done.
PFR totally encapsulates the notion of less is more. Joel Hanson and Patrick Andrew's vocals complement each other so well, so much so that it may compete with Michael and Kevin from dc Talk. Three guys who once said that they never took a break from each other, just music, are taking a permanent break. (And they are one of the only bands John DiBiase will sing out loud too in the car. After every show we go to together, we inevitably end up talking about PFR at some point). They are the only "spiritual" or "Christian" link that my blood brother, who claims to be an atheist, share anymore. They are the light to which all other trios are held to and they were such a blessing to me over the last two decades.
You're probably asking yourself, "why all the fanboy loving on this band?" Or you maybe you don't really care. Jordan Taylor said in one of Blimey Cow's "Messy Monday" videos that the older music is always better than the newer music, and he's so right. Music that I grew up on will always be better than the new music. Whether that is perspective speaking or is actually true is for you to decide. In 20 years, will what you listen to currently be better than what will be brand new then? I hope not. Will you still have such an appreciation for the bands that you berate and harass people over after they've come and gone (and come and go) again? Or will you forget their last record when the new one hits street? Are the bands you've grown up on making you appreciate music more? -- Whether it was or is Relient K, or a new combo of a powerhouse corporate megaband, or the small local artist who works his tail off because he loves what he does?
I don't know why PFR called it quits. I have my theories, sure, but they're just for me and close friends to ponder. All I can say is "Thank you" to Joel, Patrick and Mark for the best Merry Go Round ever.
No doubt 2003 was a great year for music; along with well-received releases from several great bands across the board, one of Christian and secular music’s most sought-after and prominent rock bands released their biggest (and one of the biggest of that year) album. That record just happens to be called The Beautiful Letdown, and that band just happens to be San Diego’s own Switchfoot.
Switchfoot was already on the rise before The Beautiful Letdown dropped, with three records released before it, each getting more acclaim and recognition than the previous. With spots on film soundtracks like A Walk To Remember and Model Behavior, the alternative rockers were building a solid following. With The Beautiful Letdown, there are songs on that record that pushed Switchfoot into the mainstream world, while launching them to permanent headliner status in the Christian market. Songs such as “Meant To Live” and “Dare You To Move” were top 20 hits, and the album became a staple on the Billboard 200 list for some time. It eventually went double platinum in the U.S. and Billboard featured it on their list of Billboard’s Hot 200 Albums of the Decade. Along with racking up awards and attention in the secular market, it was a grand slam in the Christian market as well, winning over six Dove Awards throughout the album’s tenure. This record marked a special time for Switchfoot, and gave the then-young band an excellent start to their inspiring and successful career.
Ten years later, Switchfoot is still at the top of their game, releasing four records between The Beautiful Letdown and now, each being well received, but none quite matching the success of their celebrated opus. They received a GRAMMY award in 2011 for Hello Hurricane, after being nominated once before in 2001 for Learning to Breathe. More recently, Switchfoot released an EP for their forthcoming album, Fading West. The Fading West EP is a small assembly of songs that will also be released on their LP in 2014. These songs all stand well alone, but I’m sure they will shine once listened to in context of the album. The unique thing about Fading West is that Switchfoot is also releasing an eponymous documentary film in December of this year, and it's been said that the album will be used as a soundtrack for the film. As far as style comparisons, the three new tunes sound like Switchfoot, but they show evolution and adaptation as well. There's a little more synth is applied to these three tracks than what they used on The Beautiful Letdown, but nothing too out there to alienate their longtime fans.
Their music has always carried that soul and raw passion, while challenging the listener to think about life, God, relationships, and the world around them. I think one of the reasons why Switchfoot has been able to stay at the level they’re at is because of their ability to change and grow as a band, while taking on topics that aren’t always talked about in modern music, and nailing them on the head. Throughout their career they’ve shown this ability to write music for thinking people, and everyone in general, while remaining honest and maintaining their values as a band and as people. The Beautiful Letdown will always have a special place in Switchfoot’s history, and many of the songs on that record have inspired this generation, and will continue to inspire others as time progresses. Cheers to The Beautiful Letdown; it is the farthest thing from a letdown, but is still quite beautiful, even after all this time.
1998 was probably my first real experience with witnessing the shuffling around of lead singers in a favorite band of mine. It was the time when, mysteriously, Newsboys front man John James had quietly stepped down as the lead vocalist for the Newsboys and drummer/vocalist/co-founder Peter Furler literally stepped up to the microphone. It was something that the band decided to highlight as well, even naming their first all-Peter-fronted album Step Up To The Microphone. It was a good album, too, but it was only a so-so successor to the far superior 1996 album Take Me To Your Leader.
While it was a major disappointment to be losing the eccentric presence of John James from the band's live shows, Furler was already a founding member and a frequent lead singer (You can see him singing "I Cannot Get You Out of My System" on their video from their 1992 album Not Ashamed). It wasn't as much of a shock to the proverbial system, as, say, replacing the road-weary Furler with DC Talk's Michael Tait in 2009, but fans still had to get used to percussionist Duncan Phillips moving over to drums and the absence of James' unmistakable stage presence.
While I can think of several vocalist changes in recent years, from Audio Adrenaline to Flyleaf, Further Seems Forever to Underoath, and beyond, the most recent vocalist retirement brings to mind the exact same situation that Newsboys fans faced in 1998:
Family Force 5.
On Monday of this week, the band made the shocking announcement that original vocalist, Solomon "Soul Glow Activatur" Olds, was not only stepping down, but he had already played what was his final show as lead vocalist just two days prior without a single formal announcement. During that show, the band primed their new vocalist and drummer, much to the surprise of fans who, like me, just thought it was something special for their live show (until they told us after the show that night).
Photo of Jacob "Crouton" Olds taking over the mic from Solomon's final live performance on Saturday at Uprise Fest. Jacob sang a new song called "Dance Like Nobody's Watching"
Photos by Jesusfreakhideout.com's John DiBiase
So, as with Newsboys, original drummer, co-founder, and occasional lead singer Jacob "Crouton" Olds has been announced as the band's new lead vocalist. Jacob has a much more unassuming presence than the wild persona of "Soul Glow Activatur," but from his performance of a brand new song on Saturday, there was evidence that it would be completely different, but nothing short of still being very much "Family Force 5."
Still, the whole change is a shock to fans. And I, admittedly, have been a fan of Family Force 5 since seeing them perform at GMA Week in Nashville in 2005 before their debut Business Up Front, Party In The Back would release almost a full year later. They have one of the most energetic and fun live shows around, but one can easily argue that with success, many changes have happened in their music and live shows that haven't always sat well with fans.
So where do they go from here?
A clean slate is obviously on the table, but it's also clear that the band doesn't want to alienate their fans. Just from the snippet of new song "Glow In The Dark" that can be heard on Solomon's exit video, or the catchy and very danceable "Dance Like Nobody's Watching" that fans will be able to hear live from now on, Family Force 5 is retaining the spirit of what it is about them that won over fans eight to nine years ago.
Fan response has already been mixed, but I don't think it'd be fair to count the guys out just yet. While I will miss Solomon's infectious and outrageous stage presence, I'm still looking forward to supporting these guys and seeing them live again very soon.
-- John DiBiase
Photo from Solomon's final live performance on Saturday at Uprise Fest.
Photo by Jesusfreakhideout.com's John DiBiase
Favorite Band/Artist: Family Force 5 Featured Fan:Elena Frye Location: Waseca, MN When/Where Was The Above Photo Taken:April 27th 1013 in Rochester, MN What About This Artist's Music Speaks To You: I love FF5 because they encourage us to have fun, dance, and go crazy for Jesus! "God is fun. There is going to be a party in heaven. There are going to be people in heaven who are going to be suprised that Jesus Christ can break dance with the best of them down here" - Joshua "Fatty" OldsFavorite Album by This Artist: Business Up Front, Party In The Back Favorite Song by This Artist: Oh my...I can't pick just one favorite!! Favorite Live Show Experience: Working security for them 2 days in a row. And getting to dance on stage with them during their dance party at Sonshine Fest 2013. Number of Times Seen This Artist Live: 12 Favorite Piece Of Merch/Item You Own From This Artist: Hmm probably my Keep The Party Alive shirt that I made into a tank. (I also have 2other shirts, 5 buttons, 4 wristbands, 2 lanyards, 3 setlists, 8 cds, 3 posters, and I'm sure I forgot something! ha) Website: https://twitter.com/SKloverElena Submit your photo and reasons why YOU'RE a fan for a chance to be featured here!
Taking a trip back in time (going a little McFly here) to life in 2003. I was about to turn 10, CDs were still the standard for music buyers, Myspace was still number one in Social Media, and a little band known as Relient K was getting ready to release their third studio album. Relient K had been active in the scene for a few years prior to this release, with their eponymous debut released on Gotee Records. With The Anatomy of the Tongue in Cheek, the Canton boys started to garner mainstream success, with headlining tours and exclusive interest from clothing brands. When Two Lefts Don’t Make A Right, But Three Do dropped on March 11, 2003, the album was welcomed with open arms by fans and critics alike, even earning them a Grammy nomination as well. The album showed growth musically, while still maintaining the witty yet poignant lyrics that they’re famous for. With quintessential teenage anthems like “Mood Rings” and “College Kids,” to earnest conversations with God, “Getting Into You” and “Am I Understood?” Relient K was proving their staying power while keeping things fresh. Of course, it wouldn’t be Relient K without some of the goofiness as well, and songs like “Chap Stick, Chapped Lips, and Things Like Chemistry,” “Gibberish” and the delightful hidden track, take care of that void (even if Matt Thiessen is the worst freestyle rapper ever). Two Lefts was undoubtedly one of the highlights of 2003, and marked a new era for the quirky pop rockers.
Fast forward to 2013, and Relient K is still touring and making music, although not as much as they did in their earlier years. With considerable band member and musical style changes, Relient K finally bestows upon their fans a new record. It’s been over four years since they’ve released any original material (there was a covers album that was released in 2011), and the anticipation for some fresh music has been extremely high. The RK boys stated that they initially wanted to release the record in 2012, which then got pushed to January 2013, then pushed to April, and finally settled on July 2013 as their release date for Collapsible Lung, their seventh (including K Is For Karaoke) studio album.
Looking at Two Lefts and Collapsible Lung side-by-side, there are considerable differences and some similarities. With Two Lefts, you get that youthful, yet thoughtful punch and dorky charm that trademarked Relient K in their earlier years, and with Collapsible Lung, you get a more pensive yet laid back vibe while giving it a spin (or a click through your playlist). Both albums give a good look into where the band, especially wordsmith and frontman Matt Thiessen, is in life, while wrapping their stories up nice and tightly in clever hooks and catchy riffs. As far as which is better than the other, I’ll leave that to the reader to decide. Both serve as a part of Relient K’s journey and career, and both leave the listener with different things to think about after the last track plays.
Over the years, Two Lefts Don’t Make A Right, But Three Do has been hailed as Relient K’s “best” by some, although it sometimes gets overshadowed by their 2004 release, MMHMM, when discussing Relient K’s library. The record was definitely a step in the right direction for these pop punkers, with it taking a more straight up rock approach while still keeping some of the goofiness and all of the wit found on previous records. Two Lefts Don’t Make A Right, But Three Do is a classic Relient K album, and still remains as one of the best releases in their genre to this day. Happy belated birthday, Two Lefts, you still look and sound as good as you did ten years ago!