| Film Review
Sky Captain And The World Of Tomorrow was one of those summer movies that you didn't expect
much after viewing the trailer. In fact, I wondered why in the world Jude Law, Gwenyth Paltrow, and despite
the fact she stooped so low as to do TWO Tomb Raider movies, Angelina Jolie would appear in such
a film. Well, on September 17th, due to much critical acclaim, I decided to let my curiosity get the better of me.
And I'm glad I did.
Sky Captain And The World Of Tomorrow is one of the most unique films I've seen in years.
Using almost entirely just a blue screen for every scene to insert the actors into imaginative settings,
the feel of the film is unlike any other. Sky Captain has a B-movie, classic silver screen aura.
From the grayish, brown hues of much of the film's backgrounds and the old fifties-style wardrobe and
backdrops, it's a throwback to some of the more fun film eras. With a feel of Raiders Of The Lost Ark
meets Star Wars or Buck Rogers with a few elements of Iron Giant and The Rocketeer, Sky Captain
will remind you of a bunch of other films and shows yet feel all its own at the same time.
In fact, in a way, you feel like you've known the character of Sky Captain for years.
Sky Captain And The World Of Tomorrow is a visually stunning film. It may sound cheesy at first
for there to be a film that is almost entirely CGI graphics with actors tossed in, but it works to the film's
benefit here. The character of Sky Captain, Joe, played by Jude Law, has the look and feel somewhat of a Tony Curtis meets Indiana Jones
and it works. Polly, played by Gwenyth Paltrow comes across more like a Lois Lane type but bears her own
personality and quirks. And giving the film an almost James Bond angle, the character of Dax, played
by Giovanni Ribisi, is sort of a Q (or more recently, R) character who supplies Sky Captain with the cool
gadgets, gizmos, and souped-up vehicles.
In the content department, the only things Sky Captain has against it is some violence
and a couple mild cuss words (see below details), but overall is a decent family film. Movies this fun
and imaginative are rarities these days so this one shouldn't be overlooked. Director Kerry Conran,
who makes his debut with Sky Captain, does a marvelous job giving the audience a brand new
character helming from a brand new world. Taking the audience from land to air to sea, adding new and
exciting spins and surprises to each aspect really makes this film a fun treat. While it may fail a few times
in the originality department or never really rise above all the films one could compare traits of it
to, it still is well worth a look.
All in all, I found Sky Captain And The World Of Tomorrow to be a big surprise at the
end of this year's Summer movie season. It's not a perfect film, but extremely enjoyable no less,
Sky Captain And The World Of Tomorrow could very well be the start of a promising new
film franchise. And to be honest, I sure hope it is.
If you have any questions or comments about the film before you see it (if you
decide to), feel free to
contact me.
- John DiBiase
(reviewed: 9/25/04)
Parental Guide: Brief Summary of Content
Sex/Nudity: A few innuendo remarks. Mostly just
banter between Joe and Polly with her accusing him of cheating on her in the past (an argument
that continues throughout the movie). We see Joe and Polly wake up in bed together apparently nude
under the covers. It appears they may have slept together (especially because of the grin on Joe's face),
however, Polly looks on the other side of her to find Kaji in bed with them too. We soon learn that nothing
sexual occured at all, and they were taken in by natives of the country with their clothes burned
due to contamination of some sort.
Vulgarity/Language: 2 "d*mn," 2 "h*ll," 5 "G-d"
Alcohol/Drugs: It looks like Joe's pouring himself a drink
from a bottle of alcohol but it ends up being milk of magnesia.
Blood/Gore: We see a grotesque looking man who's been tortured, experimented
on by Totenkopf, thus his skin is deformed and wrinkly. We see a man fried by a machine that reduces
his body to a skeleton (in a comic-style, non-bloody or gory way). We see a man who is decomposed and
somewhat mummified as he's been dead for years. We see a person's face torn revealing a robotic face
beneath (it's not gory, just may be disturbing to some). Joe has a little bit of blood on his face.
Violence: Large robots attack New York, blow up buildings,
etc. Mostly comic-style / sci-fi violence.
** Disclaimer: All reviews are based solely on the opinions of the reviewer. Most
reviews are rated on how the reviewer enjoyed the film overall, not on content. However, if the content
really affects the reviewer's opinion of the film, it will definitely affect the reviewer's rating.
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