To call mmhmm one of the more highly anticipated CDs of the year would be a huge
understatement. Donít believe me? In select cities, copies Relient Kís latest went on sale at
midnight. Thatís how big it has become. Tracks from mmhmm have been floating around the
internet (Mostly through PureVolume) for months in anticipation for the release. And for Relient K
fans, the time has come.
But to fully understand Relient Kís stock on Christian audiences abroad, you have to know where
theyíve been. In 2000, Gotee signs the aspiring, punk-influenced rock band Relient K to their roster.
Their self-titled debut is a little above average, and lots of growth is needed, but they found a
hit in the form of a little song about Marilyn Manson. As they toured with the likes of the
Supertones and Five Iron Frenzy, their fan base grew. In late 2001, they released The Anatomy of
the Tongue in Cheek. A definite improvement over their debut, ÖAnatomy showed that these
guys might just have staying power. More successful touring and an ever-increasing fan base gave
everyone in the industry reason to pause. Who exactly were there guys?
But it really wasnít until early 2003 that everyone believed. Their third album, Two Lefts
Donít Make a RightÖ But Three Do, was one of the better releases that year (arguably the best,
according to some). They continued to mature on Two LeftsÖ and RK-vocalist Matt Thiessen
started gaining serious praise for his clever lyrics that thrived on word play. It was, without a doubt,
their career achievement.
And that brings us back to 2004, or more specifically, now. Fans of the foursome (Now a threesome,
though bassist Brian Pittman did finish this album) have waited over a year and a half for. Is the
payoff worth the wait?
mmhmm is different from anything the guys have done before. But that can be said of their
previous two entries as well. While Two LeftsÖ took Relient K away from their punk-influence
and started heading them in a more rock-savvy direction, mmhmm seems to be making an attempt
to take the band back to a more punk-influenced sound. But this is by far their most aggressive work to
date. Though things do slow down at times, this is an urgent, fast-paced release.
mmhmm begins with "The One Iím Waiting For." The verses move the song along quickly,
but the chorus slows the song down and into a more melodic light. Matt Thiessenís voice has become
more developed, and he takes more chances that pay off. Thiessenís songwriting abilities have
matured as well. The song, whose chorus simply states "Iím still waiting for/ You to be the one
Iím waiting for," is an outcry from a waiting Thiessen for a special girl to "ÖStop putting so
much stock in all of this stuff/ ÖLive your life for those that you love."
Even if somehow you donít appreciate Thiessenís songwriting style, you will relate to these songs.
Perhaps that in itself is not that compelling, but the way Thiessen conveys the messages is enough
to send a shiver up your spine. You sometimes have to wonder if this guy watched your life for song
material. Two LeftsÖ showed his promise for this gift, but mmhmm fully utilizes it.
A poignant, painful break-up is discussed "Which to Bury; Us or the Hatchet?," a track in which
Thiessen screams (yes, screams) "No, I donít hate you/ Donít want to fight you/ Know Iíll always
love you/ But right now I just donít like you." And on "I So Hate Consequences," he states,
"And after all of my alibis desert me/ I just want to get by/ I donít want nothing to hurt me/
I had no idea where my head was at/ But if my heart says Iím sorry can we leave it at that?"
But Relient Kís signature wit isnít lost in the least bit. "My Girlís Ex-Boyfriend" credits him
for the happiness that the band and a significant other share. "High of 75" uses a priceless weather
analogy to explain the ups and downs we experience in life, "And lately the weather has been so
bi-polar and consequently so have I/ ÖBut now Iím/ Sunny with a high of 75/ Since You took my heavy
heart and made it light/ And itís funny how you find you enjoy your life/ When youíre happy to be
The only thing mmhmm really lacks is that one stand out track to become the theme for
teenagers across the country (a la "Sadie Hawkinsí Dance" and "Mood Rings"), but any of the tracks
on here could readily be radio hits. RK loyalists might also be a tad disappointed that for the first
time, there is no hidden track (Where are our Skittles and Combos? Where is Emcee Defenseless?
Where is the accordion player?), unless you count a twenty second "mmhmm" intro to the CD a
"hidden track." And there is no sign of a "That was terrible!" But that is all nit-picking at what is
a fantastic release.
But if you were to be pessimistic, the fact that there doesn't seem to be that much growth from
Two LeftsÖ to mmhmm would present itself. There is growth, but it's in much more
subtle ways than on past releases. This can most likely be attributed to the fact that Relient K
had almost perfected their art with Two LeftsÖ, and mmhmm simply builds on what
was already a very good thing, while tactfully experimenting with different sounds. Most noticeable
are softer piano driven outros at the end of various tracks.
Unlike Two LeftsÖ, which was unquestionably their best achievement, itís hard to really
decide whether mmhmm is Relient Kís finest work to date. I suppose only time will tell. But as
for now, it serves as one of the best releases of the year. Relient K fans will be left wanting more,
but grateful for what they have been given, an mmhmm good next chapter in Relient Kís
- Review date: 11/02/04, written by Josh Taylor
Artist Info: Discography
Record Label: Gotee Records
Album length: 14 tracks
Street Date: November 2, 2004
Buy It: Amazon.com
- The One Iím Waiting For
- Be My Escape
- High Of 75
- I So Hate Consequences
- The Only Thing Worse Than Beating
A Dead Horse Is Betting On One
- My Girlís Ex-Boyfriend
- More Than Useless
- Which To Bury, Us Or The Hatchet?
- Let It All Out
- Who I Am Hates Who Iíve Been
- Maintain Consciousness
- This Week The Trend
- Life After Death And Taxes (Failure II)
- When I Go Down