On the band's first day on the Summer 2008 run of Vans' Warped Tour, Jesusfreakhideout.com sat down with The Classic Crime's
frontman Matt MacDonald to talk about their brand new album, The Silver Cord. As the skies opened up and the rain poured down
around the tent in which we conducted the interview, we talked with Matt about the new album, the new music video, life on the road,
being tagged a "Christian band," and living out our faith...
This interview took place on: 7/27/08.
Jesus freak Hideout (John DiBiase): The new record is definitely a different direction for your band.
How did you approach the writing process and the production process differently with this record than previous projects?
This is probably the most thematic thing we've ever done. We wrote for the record specifically. The first time around, we had written
songs the prior three years and put them on a record. So I think the theme of the record was a little bit fragmented. I mean,
this record definitely captured what we were doing, what we were writing, how we were feeling at that very moment. And of course the
theme, or the content, was all directed towards the theme of the record. The production process was way different in that we, this time
around, didn't use any click tracks or quantizing, we didn't use any borrowed samples. A lot of the stuff we played live in a live
room so it gives it kind of ebb and flow rhythmically and it hasn't been doctored and kind of put to a grid, so to speak. So it's kind
of like us playing live a little bit, and we like that sound. We like that the energy that that brings and you feel like
you can connect with people better with music like that. And all my favorite records aren't over-done digitally; they're really organic so…
JFH (John): What records?
Well all my favorite records are probably in the 90's. But that's, you know, pre- as far as production goes- you know, how Incubus
used to do records or Third Eye Blind or just like that kind of stuff. Yeah, so we couldn't have done that on the last record because
we weren't good enough musicians. I'll be honest, we were pretty terrible, *laughter* but this time around our producer,
Michael Basket, we call him "Elvis," he put a lot of faith in us and said, "You know what? You guys want this direction? We're going to
go all the way that way." And it was kind of scary at first but when we heard it come out of the other end we were really excited.
JFH (John): Yeah, I really liked it. Maybe it's because I'm a child of the 80's, and you know,
musically, the 90's, but it doesn't sound dated you know? It doesn't sound like it's a record from the 90's. But it's got
that sonic energy that the records back then have and the newer ones seem to lack.
Well thank you! That's a really huge compliment. That's what we were going for with this. I think there's some songs on the record
that could be on Albatross, it's just the production on them is different, so it's a different energy.
JFH (John): It's kind of like how certain bands are better live and then you hear the
record and you're like "it didn't really capture their live sound." So that's when production really makes a big difference.
It really does, it really does.
JFH (John): Can you talk about the album art-the album cover?
Matt: Jordan Butcher at the label, the design guy, heard the theme of the record and was kind of inspired to do
something. And we've learned that when anytime someone's inspired that you should just let them do what they've got to do.
And a lot of time's as artists and musicians we try to impose what we think is cool and you do it long enough, you start to realize that
sometimes other people have a lot of good input too. And if you let them be inspired and act out what they feel they're called to do
then you're going to have a better product. So with Jordan, that was the case. He said, "I want to do this," and we said, "Alright, go
ahead," and that's what he came up with; the metaphors of the golden bowl and the blood in water and like everything so pristine
and crystal clear that's on the cover like that. It's so simple, there's no logo, it's really just jam packed full of metaphors and
symbolism and so that's kind of what we liked because that's how the record is for us.
JFH (John): You feel that it really fit the record?
Matt: Yeah! Yeah I feel like just the energy, the vibe, the colors…you know, the symbolism all fit the record
JFH (John): Is that like the first and only draft of the cover? Like, you pretty much saw that
and knew that was it?
Matt: You know what…there was a pulley holding up the golden bowl and we thought the golden bowl should be floating
on its own because it's alive. And that was one thing we took away and then we said the background was…it was really a blue sky,
sunny day, and we're like, "let's make that a moody day, a little bit of clouds.." and so he threw the clouds in and we were sold.
JFH (John): I think it fits the vibe of the music too.
Matt: Yeah, that's what we were looking for - something to fit the mood of the record.
JFH (John): What's the story behind the song "Salt In The Snow"?
Matt: "Salt In The Snow"…um… geez, I haven't had any of these questions yet, haha, so I'm trying to figure out what is the story *laughter*
It's kind of about going through a hard time in life where you kind of feel empty or complacent or there's no real purpose
and you're trying to find your way. "Salt In The Snow" is a metaphor for…well, the metaphor in the chorus is
"Left all alone on the side of the road, melted like salt in the snow." So salt melts snow. It was kind of
a vibe of a feeling that I had, you know, and there's imagery of seasons in there and Summer being a good season of your life and
Winter being a tough season in your life. So it was kind of in between those two seasons where you're just melted. And there's no sun
and there's no snow. And that was kind of the imagery I was going for. But there's a hopeful message in that too. We try to bring not
just the desperation but like, if you seek, you'll find it, you know? There's hope out there.
JFH (John): Is "The Way That You Are" inspired by anyone specific?
Matt: You know, it's really inspired by people watching, and I do it a lot. My mom told me when I was a kid,
I used to swear to God I was a psychic and that I could read people's minds *laughter* but I'm pretty sure that's not true.
But I believe now I am not a psychic but I do like to sit and look at people sometimes and look at their actions and how they interact.
JFH (John): Yeah, I do that too. The airport's a good place to do that.
Matt: Exactly. And we're on tour a lot, we're traveling a lot, looking out windows a lot so sometimes it gets my
mind reeling about "what is that person, why is that person the way they are?" And trying to figure out who they are and try to put a
story to what made them who they are, what made them dress like that, act like that, or twitch like that, or laugh like that, you know?
And they're definitely fictional characters but I think they're very real characters in that there are people who, the characters in
the "The Way That You Are," the story, could identify with. And so that was the idea behind that, just to put something out there that
maybe someone could sing along to and go, "that's me," you know? Or "I relate to that in some way" or "I have a friend like that."
JFH (John): Now, "Everything" feels like a really intimate and personal song. Did you have any reservations about putting it on the record?
Matt: Um... I did, I mean a lot of the guys didn't want it on the record *laughter* because it's pretty
blatantly about wanting someone's body, but I think it's tasteful enough. I mean, I'm a married man so my wife wanted it on the record
*laughter*. But yeah, it's a love song and we never really write love songs. I mean, we didn't have any love songs…well we
have one sarcastic, sort-of, slash love song on Albatross. But we don't really write love songs. We're not that band.
You know, with the theme of the record being as it is, we haven't really talked about it yet but, love is a big part of it and so
I wanted to represent a love song on the record that was… I mean, it is a little sarcastic if you sing along or read along but that's
just how we do things. But that's our attempt to write a poppy, cheesy love song that the girls will gush over. *laughter*
JFH (John): In "Abracadavers," you say that "There's more glory to be seen and savored through
suffering than ever was through self-serving escape." That's a pretty deep thing to get out of The Body Exhibit.
Matt: Yeah, I mean, actually that's something I wrote down in my journal years ago. It's like something I came to
realize. But the Bodies Exhibit got me thinking of how we spend so much time on ourselves as people, trying to look good to everybody
else. When it comes down to the core, you know, we're all mortals, we're all human, we all look like this on the inside.
We all have these organs, we all function the same, so instead of trying to put yourself ahead of the pack in the way that you look or
the way that you act, instead of being selfish - be selfless. And that's a line that I can draw from, that I've written down, that
I can put into the song because it made so much sense. You know, that there's more glory in suffering or, not self-suffering in
self-pity or wallowing, but sacrificing for somebody else, than there is to self-serving escape- which really that's what it is, an
escape. You know, you see different people in walks of life escaping, so to speak. And it really comes down to selfishness and that
was one of the things that inspired me about the Bodies Exhibit is that, it's like "Wow that's me, on the inside" and here's a guy
and he's dead and so your mortality is...you're kind of hit with it. You're like, "that's going to be me. I'm going to die." You know,
that's real. And so what am I doing everyday to make sure that, because obviously I'm taking care of myself but, am I making an impact
on anybody else? Because life is fleeting.
JFH (John): Do you ever feel like you get chances to impact people's lives on the road?
Like connecting with fans and stuff like that?
Matt: Yeah! You know, it's crazy cuz when we started out as a band, going on tours and stuff, we always thought that
we were going to go out there and change the world and whatever. Like the fans- we're going to have this positive impact, this positive
influence, and we do with our music to a point, but really it's hard to have. It's hard to develop a relationship at a show and as much
as we want to develop these deep relationships in a matter of minutes, it doesn't happen that way for people. So there have been times
when we've had the opportunity to talk about things with people at shows and really share things with each other but mostly it's with
the bands that we tour with. And the camaraderie between the bands and the friendships we develop. That's really where, I think that's
at least where I feel the focus is, you know? Because you can develop something over a long period of time. A lot of times you get off
a tour with a band and you're friends for life after that. You know, you keep contact and everything so it's really a good opportunity
to meet people and to get to know people on a deeper level, so it's cool.
JFH (John): Can you talk about the "Abracadavers" video?
Matt: Well, we shot that in L.A. It was actually shot in a real, live, working autopsy place. Half of it was an
autopsy, which they were getting cadavers while we were in hair and makeup, and half of it was a set - like if you walk across the
courtyard, it goes into a set, like a TV set. They film CSI there and stuff. And in the video, I'm a mortician that's dissecting
myself, or trying to do an autopsy on myself. But I get foiled in the end by myself *laughter* so it's kind of a little twisty,
plotty, story. But it was a lot of fun. It was definitely the biggest production video we've done yet with the hair, and the makeup,
and the crew, and everything there.
JFH (John): And you got to trash it at the end a little bit...
Matt: Yeah I got to throw things around and break stuff and that was fun. I've never actually acted before so
I was a little bit scared because I didn't know what I was going to be doing when I showed up. And Dan Dobey, the director, was just
shouting things at me to do and I had to react. *laughter* And it was just kind of awkward cuz there's 20 people standing there staring
at you and the cameraman's zooming in on your face and its like…I don't know, definitely a training, like a little lesson in acting
and what actors go through. And I don't know…if I had formal training maybe I'd do a better job or do it again but…
JFH (John): It looked good.
Matt: Yeah he cut off all the bad, cheesy stuff out. *laughter* I was doing a lot of stuff.
I went overboard because, you know, that's what rock and roll is. It's what we do on stage. People are looking at us so we act
really silly and I definitely did that a little bit in the video. He trimmed it up and made it look good.
JFH (John): What did you mean by the metaphor of like dissecting yourself and then you turn
the tables and then shove the other version of yourself in the drawer?
Matt: Yeah, I mean there's a lot of metaphors and that's why I liked it. When we thought about this idea we were just like
"this is awesome" because the song inspired by the Bodies Exhibit right? So you're looking in, these thoughts, these lyrics in the
song reflecting on, you know, the fragility of life and living day to day and stuff like that. It's almost a self-examination of what
I'm seeing here is making me reflect on what is physically inside of me: organs and tissue and everything and also emotionally what
I'm going through. So it's almost like a self-autopsy but the metaphor at the end is that you know, you can't go too deep into
yourself because nobody has the truth or the answers so you throw yourself in the freezer and bounce. *laughter*
JFH (John): That's awesome. What's the story behind "Medisin"?
Matt: There's a couple songs that are about addiction or about using a substance to escape, which could be really
anything, but this specifically talks about drinking and as an escape from truly living, because truly living to your full capacity is
kind of terrifying because of the sacrifices you need to make. It's kind of about that, it's kind of about a longing for something
more in just day to day life and the ups and downs and a longing, I think, is in everybody's heart, as humans for a higher power or
some sort of sense of what's going on because nobody really knows. That's what that song's about.
JFH (John): Does it ever hit you like when you're playing in a bar, and you see the certain people
in the audience and you just kind of think about stuff like that?
Matt: Yeah! I mean, we prefer to play places where there is the higher opportunity of people who are hurting or
people who are sad or depressed or who have gone through abusive situations because we feel like those people really need music to
lift their spirits and take them through certain periods in their life as therapy.
JFH (John): Yeah, you'll find that almost anywhere.
Matt: You will find that anywhere.
JFH (John): Like, you could be playing in a church, and just because they feel like they can't show it, doesn't mean they aren't going through it.
Matt: Right. No definitely, they're everywhere and that's the good thing about us where we
cross over different genres and we're trying to reach everybody, you know? Not just trying to be exclusive to one group of people.
And it's not just that, we have pop songs for people who just want to sing along and are happy you know?
JFH (John): There's nothing wrong with that.
Matt: There's nothing wrong with that either but we try to bring something to the table for everybody.
JFH (John): Is there a specific song on the new record that means more to you than any of the other ones?
Matt: There's a couple. "A Simple Seed," or "The Beginning," which is the last track on the record, is kind of about
missing home and about the struggle of being away from your loved ones or the one that you love and actually, truly, being able to live
in the moment with the people you're with on the road. And we have a saying in our band that if you live with one foot at home and
one foot on the road, you're not really living anywhere. And so, it's almost a hard thing to do, but it's something that, with time,
you're able to really be on the road or at home and if you're giving your home life 50% and your road life 50%, then you're only giving
somebody 50% and you're not giving 100% of yourself to somebody.
JFH (John): It's really hard to find the balance.
Matt: It's hard to find a balance. And so that's kind of about trying to find a balance and it's a little bit
about discovering your self-worth. I don't know, I think that song came out in like 5 minutes, from A to Z it was done and then
I played it for Skip and he jammed on the drums and then that was it. So that was one of the songs. Another song is called
"God and Drugs," which is another song about addiction in which basically people substitute the need for God or the feeling of
God or enlightenment with a substance and there's a relationship between there - a substance would mimic a feeling of God or something
or can become their god that they idolize so that song, I think the metaphors in that song can really hit home for some people,
and it hit home for me too as I kind of work through things in my past.
JFH (John): It's kind of a loaded question, but do you think there is a need and a purpose for Christian music?
Matt: You know, I have yet to define what Christian music is. I know what worship and praise music is, music directed
towards God, but I don't know if you can mix a belief or a system of beliefs with your music, because I mean, obviously if you're a
Christian or a Muslim or a Jew and you're very serious about your faith, it's going to come out in your music. But I don't think
there's Jewish rock or Muslim rock or, you know?
JFH (John): At least not yet!
Matt: Not yet! *laughter* But I don't know that they would sell out that much to make it, so
I think faith is a personal thing. I have nothing against bands that are Christian bands or claim to be Christian bands because
I think what they're doing is following conviction and that's honorable. It's honorable to be committed to do something about it
but for us, personally, we don't really understand it. So we kind of steer clear. I'm a Christian so the music I write is about
real struggles with real people and real situations that have happened in my life and there's obviously sort of a Christian outlook.
There's hope. There's something that goes beyond just the human struggle. But I wouldn't call our music "Christian music," I think
it's "human" music. *laughter* For humans! So…
JFH (John): Which is everybody.
Matt: Everybody! There ya go!
JFH (John): It's interesting because when I became a Christian at like 13, around '93, it's like
I immediately got into "Christian music" and started listening to bands like DC Talk and Audio Adrenaline...
Matt: Yeah I listened to them growing up, too.
JFH (John): ...and I think different things speak to different people and I think for me,
it really struck a chord with me and when I was 16, I started Jesus Freak Hideout - obviously inspired by DC Talk's newest CD (at the time).
So I kind of took to the idea of Christian music early on. Like for me, Audio Adrenaline was a "Christian band." They would say "hey,
we're a Christian band. We're proud to be a Christian band." So I guess for me it was like, anything that helped me with my walk,
at least disconnect from the world, with the kinds of distractions of the world. I just have always felt like anything that can point
my mind, and it at least sounds good, and point my mind towards Christ just seemed like it was worth listening to more
than somebody who was like... cursing at their audience to get their attention [like some of the bands on Warped Tour].
Matt: Right. And that's true, there's a lot of truth to that. Our A&R at the label, Chad Johnson, is a really
devout Christian guy, just a really awesome guy. One of the coolest guys I've ever met; probably the reason why we signed with Tooth
and Nail. We can talk to him about anything and he's always praying for us and it's really cool. But he was telling me the other day
how that Death Cab For Cutie song, really hits home for him. *starts to sing* "You gotta spend some time, love, you gotta
spend some time with me. And I know that you'll find, love, I will possess your heart." (The song is "I Will Possess Your Heart")
And he always says that he pictures God singing that to him. "You gotta spend some time with me. And I'll possess your heart."
JFH (John): Yeah. And it's funny - for me, I've always been the kind of person who wants to know
the real meaning behind the song - not just a possible interpretation, so for me to know that Death Cab didn't write that about God,
then I'm like "I can't really relate to that." …but I also realize as I'm getting older, that it's kind of a bit taboo to try calling a band a
"Christian band" in this day in age and especially now with the state of the industry where it's pretty much that worship music seems to
make up the most of what people consider "Christian music" and then most of the rock bands and such just don't want anything to do
with the whole Christian music industry...
Matt: Well and it has nothing to do with the Christian bands they grew up with, it has nothing to do with the
Christian bands that they like, cause everybody likes a few that call themselves "Christian." It has to do with the fact that the
industry, for a lot of people, rubs people the wrong way. The money that's involved, or the money that's spent on safe music,
and the parents are just trying to get something for their kids that's safe, and that's understandable. But at 19 dollars a CD,
with all the profit going to these people and not the artist, not the consumer, there is profit on the mind with an exclusive
industry like that. And so as much good as it is for the kids to have safety and something that's going to inspire them, something
that's going to make them feel like they belong to something...
JFH (John): It's still a business.
Matt: It's still a business and the business side- the business of Jesus- really settles weird in me.
So I can't sell... The thing is, we play in clubs and bars, we play for a quarter of the people we would maybe play for
if we were playing churches and stuff like that. And we would be getting paid twice, three times the amount of money. So selling out
to us, is going "Alright, we give up on the mainstream. We're going to go where the money's at." Which to us, this isn't about money.
This is about reaching people and this is about sharing your music, and your art, and your talents with people.
JFH (John): Dude, I know... We stick to that mindset a lot too. It's weird because,
I mean, I got into Christian music because of the message and because there were people doing it for the right reasons.
And then as I got into the industry more closely through JFH, I've had plenty of eye-opening interactions and relationships with the
Christian music industry and companies and labels
within it that is enough to turn some completely away from Christian music -- or even Christianity. But it's like, at the end of the
day, it's just… my walk is between me and God. We can't base our relationship with Him on what we see or experience with others who
call themselves Christians.
Matt: You can't follow people. And you know, as much as people are going "Why aren't you saying you're a
Christian band? Why aren't you doing this and doing that like all my other favorite bands?" Well, we don't follow you. Sorry, we're not
put here to follow you or the trends or whatever you think is cool. We're following our own convictions, what we feel called to do.
And everybody has different convictions. That's the beauty of it, everybody's in a different place in their life, if they're a
Christian, they're at a different spot in their faith or a different place in their walk, so to speak, and what we do as humans is we
get convicted on something and expect everyone else to be convicted on it at the same time and we push it on everyone else and we have
no patience. That's really what's turned me off from a lot of Christians and a lot of the corporate sort of Christian bureaucracy
where it's like you go to a big church and they put you through all these rungs and its just like the Pharisees and Saducees.
That same style of religion. You're following this list and I can go on and on and on but I will say this - at the heart of it,
however much it's been screwed up and corrupted, at the heart of it, if you look at Jesus, you see someone who you would want to be;
everyone wants to be. And you see someone who sinners and prostitutes and thieves and whoever like to hang out with, so if you're out
there and you're a Christian and these people who you despise or people you don't want to hang out with, don't want to hang out with you,
then you're doing something wrong. Because Jesus would be reaching out to these people, trying to hang out with these people, and they
would enjoy His company; they would enjoy your company.
JFH (John): I agree. I also think about how He was perfect and we're imperfect, so we have to be
careful - we have to know our limits when it comes to spending time in and with the world.
Matt: Right, and well, you'd also have to know where you're putting your value, where you're putting the
emphasis in your faith. If you're putting it on very physical, material vices, then that's not what Jesus came and taught.
He didn't come and say "don't smoke, don't drink, don't do this, don't do that" and that's basically what makes up Western
Church Christian spirituality. You look at someone who doesn't drink and smoke and go "Oh, well they must be a Christian."
*laughs* or "They must be religious." You know? You should be looking at people who are helping other people and
loving other people and giving of themselves and go "that's a Christian." But unfortunately, it's just people who don't drink,
don't smoke, and are jerks and are judging you. And so that's why we hang out with people who drink and smoke in bars and we try
to love them and we try to be nice and not jerks and not judgmental in any way. That's the sort of mentality we need to be
instilling in our kids because you instill this kind of isolation or this kind of cut-yourself-off from the world, which to a point,
yeah you can't be…you got to be in the world not of the world, to a point it's true but Jesus didn't cut Himself off from the people at
all, He went and ate dinner with them and put Himself smack dab right in the middle of them. It's like Paul eating unclean foods.
It's against his convictions and his religion. Or Peter getting the vision from God saying "It's okay to go be with those people,
go do as their culture does." Not at the expense of your faith, not at the expense of your relationship with Christ, because you
will feel convicted when you do something that you feel convicted about. Right? Not at the bad expense at all, but don't be
terrified of people who do things that you're not used to because those are the people you're supposed to hang out with.
People not like you.
JFH (John): I know, even when I was in college it was kind of like - I just loved to change
people's opinions of what a Christian is. It's like "No, I'm not ashamed of calling myself a Christian" but I'm tired of some Christians
destroying the name. Everybody thinks "Christian- Oh they're jerks, they're self-righteous, they're full of themselves," you know...
Matt: Well, we go on tour with bands and you know, first day they're like "this band's on Tooth and Nail…are they
cool or are they just going to be weird Christians?" *laughter* So that's why we like touring with mainstream acts.
We like to be like "Oh no man, we're just like you! We're the exact same as you, actually. We're in the same predicament as you
except I believe this. I believe I have hope in life. And I believe I can see past all the stuff that's going on right now
because someday it's going to be better." And that's what I'm trying to work towards and live towards. And people look at
that and they respect that. They go, "That's really cool. You have hope and you're not acting like you're any better than me."
And the truth is, we're not. We're just as bad. The only thing that makes us different is that we've had an experience with Jesus.
And that's it. That's all that matters. And so, go out in the world and share that with your friends. That's all you need to do,
just break it down to the basics. Don't follow these rules or these guidelines that your church or the institution puts in place
for you. They might be based off of truth, but truth is placed in your heart. And you'll know if you're truly following Christ.
You'll know, you'll be convicted on the things you need to be convicted on. And even to this day, my wife's convicted on things
that her parents taught her. It's been placed in her mind that things are this way and she thinks that, even though she knows in
her heart that its alright to do this or that. Her parents have kind of put this mentality where it's like almost like you got
to follow "these" rules. This is how you do things. We live a very abnormal life. I'm on the road. It's not very normal.
But for us it's normal. It's like we're apart a lot of the time and that's normal. It's one of those things where it's hard to
break out of religion. And while it instills really good morals and values it's not going to put you in heaven. It's not going to
let you bless anybody. Unless you really feel convicted that your message is to hang out with smokers and not smoke, and maybe you
could change some lives. And I know, I've heard people say "Well, the sick's in church too, you know."
JFH (John): Well, that is true.
Matt: And it is true. The kids there really need a lot of guidance and I think that who are we to say that these
kids are more valuable or we want to play [only] for these kids… they're all the same, they're all in the same predicament.
For us, we say that at least those kids have that church.
JFH (John): And yet, sometimes church can be the worst thing, though - depending on the circumstances.
I've seen some messed up stuff in different churches. It's sad.
Matt: Sometimes it can, but I think that God can work through anything, even very bad situations.
And I've seen Him through some really uncanny situations. Like, really, "there was just a bunch of sin going on and You worked?"
Don't put God in a box, right? There's a lot of cool churches sprouting up in the Northwest- Portland, Seattle- I mean, there's a lot
of cool stuff going on. I know what you're talking about where you go someplace and it's like, "This really isn't for me,
but where else am I going to go?" you know? *laughter* You can be a buffet church shopper where you're just like "I'll take a
little bit of this and a little bit of that. I don't really like this or like that so I'll just leave that." But there's probably
going to be something with everyplace that you're going to be like "ehh" about.
JFH (John): No church is perfect.
Matt: No people are perfect. People run churches. *laughter* People run churches mostly… and it's not about money.
Money can corrupt so fast.
JFH (John): That's why it's good to be poor! *laughter*
Matt: It's great to be poor! And I tell rich people that and they laugh at me. I mean I grew up in a family where there were
always fights about money and everything like that. And over the years, being on the road, both my wife and I have cut our needs,
our physical needs, down to just basics. "This is what we need. We don't need this or this or all these things we thought we needed.
We just need this one pair of jeans and this couple of shirts." And it's cool because you become a minimalist and you start to really
actually see that, see what life's really about. I'd be so happy with so little. I went to India a couple years back and those kids
were happier than any American kids I'd seen at a Chuck-E-Cheese. And we were just sitting there with like a beat up guitar playing
"Row Row Row Your Boat" and they were singing and dancing and clapping and laughing. And these are the kids whose parents are
prostitutes in the Red Light district. They just live in the slums…but just the joy…and you see, "Wow, kids with nothing have
that much joy." Like, how much more joy do we have? We just get rid of all these things that we're told we need or we think we
need; this iPhone which I can't live without. What would I do without it? What would I do without my new apps?" You know? *laughter*
It's just stupid. But my wife bought it for me so I can say it's a gift; can't throw it away. I have to save this gift!…
JFH (John): That's a good excuse!
JFH (John): No I totally know what you mean. I'm learning that myself actually.
Matt: It's tough. The best way to learn is to go witness other kids…give a kid a balloon in Mexico and see
him be happy for three days until it pops, you know? It's inspiring. Digital cameras were great because you take a picture and they
can actually turn it around and see themselves; kids who rarely have seen their reflection. There's no mirrors. And they turn
around and they're just like "That's me!" and I'm like "Yeah!" and they're like "That's you!" and I'm like "Yeah!" *laughter*.
And they show their friends like "Look at me! That's me!" It's crazy. It's really awesome.
The Classic Crime's album The Silver Cord is available now!