In 1972, a little disaster film about an ocean liner capsizing from a monstrous title wave and a small
group of survivors that fight their way out made a splash at the box office. Cornily but infamously dubbed
The Poseidon Adventure, the action drama was intense, intriguing, disturbing but most of all, memorable.
Now with filmmaking effects at their best, 2006 seemed like a prime time to give the story a second go-around.
The more appropriately titled remake Poseidon revisits the concept of the original while introducing
all new characters, an updated time and ship, and new perilous entrapments for the passengers to endure while
trying to make it out alive.
Disaster movies are strangely entertaining. Considering the fact that there is nothing exciting or
entertaining about a true disaster if it's happening to you in real life, there's something intriguing
about watching people going through suspenseful and strenuous peril. And when its packaged in the action movie
presentation like in such films as Twister, Dante's Peak, Independence Day, or even
The Day After Tomorrow, it can make for solid entertainment. Poseidon's update of its original
is a tricky one. While the updated effects bring a lot to the story, there's also a lot less dimension to the
cast of characters, making it harder for the audience to care what happens to any of them unless they're
already a fan of the actor portraying the character. This might be fine if we aren't intended to like any of
the characters, but when you're only given tiny pieces of a much larger puzzle, how can you be expected to
see the big picture?
Wolfgang Petersen's last boat film The Perfect Storm may have been entirely dismissible, but he
takes a little more care of the overall presentation of Poseidon. Changing the cast of characters is
fine in the update, however, some of their individual professions may feel a bit too contrived when revealed
(one served on a sub in the Navy giving them a knowledge of ships inside and out, one is an architect, and one
was formerly a firefighter). But perhaps who else would even think they'd stand a chance to navigate an
overturned ship to begin with without previous knowledge of such a structure? Regardless, the hour and forty-minute
film is fast-paced, leaving little room to really introduce the characters as well as they need to be. Just as
we're barely introduced to them, the wave hits and we're all thrown together into the action.
The effects are probably the film's strongest point. While using CGI to enhance sequences, add people
where real could not be used, or insert an explosion in harm's way of the cast, the filmmakers relied heavily
on tangible set pieces. And incredible set pieces they were indeed. It's obvious so many portions of the
ship's guts are real sets from scene to scene and the detail is remarkable. From the fire and water damage to
the effect that everything is completely upside down, the visuals are nothing short of impressive (not to
mention the extensive sequence in which the ship is actually struck by the devastating wave).
But all of these ingredients are only part of what Poseidon delivers. Peril is its star and
with that, much death and destruction follows. And for a PG-13 film, I must admit Poseidon rides the
line for violence and carnage. From a room of electrocuted passengers (of which we see it actually happen, too),
to flash fires that consume many (and the aftermath of such), it's a harrowing and intense film from nearly
start to finish. So while sexual content is hardly an issue for the film, and language appears in mere spurts,
it's constant glimpses of bloody, creepy, and charred accident victims that puts a serious warning label for
viewers on Poseidon.
In the end, this remake falls somewhere between disappointing and engaging, not quite besting the original,
but hardly falling short of being entertaining. With some serious attention to character development, a little
more realism, and a lot less focus on the dead and marred, Poseidon could have been the hit it should
have been. One nod I must give to Petersen, however, is while the original painted a less than favorable view
of God, one of the main characters calls on God for help and a symbolic use of a cross to help them out of a jam
was a nice little touch. While it's minor in the grand scheme of the film as a whole, it was a pleasurable
contrast to the 1972 original.
Poseidon rides the wave of excessive gruesome disaster aftermath, giving it enough reason to
want to either see edited or to skip it entirely (especially for the young ones). Those looking for a smart,
deep, surivival film will be left feeling quite empty, while those looking for an entertaining popcorn
film should find something worthwhile in Poseidon.
- John DiBiase, (reviewed: 5/17/06)
Parental Guide: Brief Summary of Content
Sex/Nudity: Robert tells Jennifer that he's
not comfortable with her and Chris spending time alone in their quarters. Jennifer responds sarcastically
that with how big the ship is, there are many places where they could "do that thing you think we want
to do" (implying sex); Lucky Larry smacks a waitress on the butt as she walks away; Robert asks Jennifer
to button the top button on her dress to hide any remaining cleavage (Jennifer refers to them as "the twins");
Gloria, a lounge singer, is seen in a tight dress that reveals much of her cleavage; Elena mentions to Nelson
that she "bunked" with Valentin, but it isn't clear whether or not she was implying that he let her room with
him so she'd sleep with him; Nelson is gay and calls Valentin "gorgeous," prompting him to correct him that
his name is Valentin
Vulgarity/Language: At least 1 incomplete "f" word
(said as "mother f-"), 2 "s" words, 4 "g*dd*mn," 1 "J-sus," 2 "d*mn," 1 "a**h*le," 1 "h*ll," 1 "S.O.B.,"
8 "Oh my G-d," 1 "G-d"
Alcohol/Drugs: Many share drinks during the New Year's
ceremony; Lucky Larry appears drunk and is seen drinking out of a flask
Blood/Gore: Considerably heavy. We see many, many dead
bodies with varying degrees of blood and burn wounds all over them (some are pretty grotesque). Many dead bodies
also have their eyes wide open with ghostly stares which will appear unsettling to some viewers. Robert has a great deal
of blood running from his mouth down his chin after the boat flips over; A person falls down an elevator shaft and we
briefly see the image (from the perspective of the floor looking up the shaft) of them being impaled by debris
at the bottom of the shaft before the elevator falls on top of them; When a number of people are electrocuted
(we see the act), we see a smoking and charred body with numerous bloody wounds fall to the floor; We briefly
see a bloody cut on Chris's leg; While swimming a considerable distance, a person hits their head on a cement
block, knocking them out, causing some blood to drift out into the water; Nelson is hit in the face by a steel
hatch door and his face is very bloody; we watch a person drown and see their body violently go into seizures as
they taken in water and stop moving
A rogue wave strikes an cruise ship, capsizing it and causing many people to be burned, drown, electrocuted, etc;
We see many dead people with varying forms of blood, burns, and other kinds of injuries.
** Disclaimer: All reviews are based solely on the opinions of the reviewer. Most
reviews are rated on how the reviewer enjoyed the film overall, not on content (with a few exceptions). However, if the content
really affects the reviewer's opinion of the film, it will definitely affect the reviewer's rating.