It is no great secret that Jars of Clay has always liked to spoil their fans with extras, b-sides, and special renditions, and those fans have eaten up every last thing that they have been offered. Now, 20 years after a Greenville College school project called Frail made heads turn in the Christian music industry (as well as 20 years after the band's only lineup change ever, as Matt Bronleewe elected to finish school instead of sign on to a record label), Jars is celebrating both their outstanding success and the commitment of their fans with this special project (among other treats throughout the year). Special acoustic reimaginings of 18 fan-selected songs (two from each studio album minus The Shelter) and two new songs make up the project's tracklist, and the final result is enough to make any hardcore Jars fan's heart melt.

Now for the most part, Jars did not go the route of 2011's wonderful (but brief) release Reinvent, Remember, Replay, in which each track was truly reimagined and overhauled instrumentally (including a tasty - but jarring - synthesizer solo on one track), rather mostly going with a straight-up acoustic approach. But this is not to say that each track does not have a full and complete sound achieved with layered vocals, percussion, and orchestral elements. A few songs throw in some unexpected electronic instrumentation (sometimes subtle like "Dead Man" or "Collide," but also very obvious like "Trouble Is" or "Ghost In The Moon"). The thing this approach does not really do is make any one song more "interesting," per say, than any other track (although the somewhat odd treatment of "God Will Lift Up Our Head" raised my eyebrows a bit, though I do ultimately like it). That said, "Trouble Is" would be one that I would list as a real highlight, being simultaneously similar to and radically different from the original (it's hard to explain, but a few listens will give you a sense of what I mean).

The collection's overall selection of songs is also worth highlighting. Since the fans ultimately were the ones to decide on the included tracks, they (not unexpectedly) chose the ones that meant the most to them personally, forgoing many of the band's most commercially successful songs, explaining the absence of songs like "Flood," "Crazy Times," "Unforgetful You," or "Two Hands." As such, the lineup is heavy on the band's emotional and tender side, such as "Worlds Apart" "Jealous Kind," "Boys," or "Silence." In that sense, the tracklist itself is truly an examination of the psyche of Jars of Clay's fanbase. But it is also interesting to see Jars' treatment of each song (or rather, each type of song), as they seemed to more freely experiment with songs that have less of an emotional pull ("God Will Life Up Your Head," "Collide," or "Dead Man" come to mind), while laying the strings on thick for the others (especially the album's gorgeous finale "Love Song For A Savior," a song that I could put on repeat for hours on end when I'm in the right mood). As for the two new tracks, "Ghost In The Moon" is a very interesting exploration of sound (and while I'm definitely glad they tried to capture a haunting, southern-type sound, it probably wasn't executed to its fullest potential), and "If You Love Her" falls right in line with the sounds from Inland.

Sometimes it takes listening to a collection like this to truly realize how much a band's work has meant to you, as it did for me; even the songs that I would not have necessarily expected to be here work tremendously, and remind me of how much I underappreciate the originals ("Silence" immediately comes to mind). I feel that any Jars fan will feel the same, which is why it isn't really worth mentioning whether or not these renditions are "better" or "worse" than the originals, or even which songs in this collection are "better" or "worse" than others (which is actually something I thought I was going to talk about in the early stages of writing this review, but ultimately decided against). Casual fans or non-fans probably won't be converted to die-hards with 20, but frankly, that is not an uncommon flaw with acoustic albums. That said, I can literally find no reason for a Jars fan not to get this record.