Paramount Pictures and Hasbro, whose previous collaboration was the worldwide blockbuster "Transformers," join forces with Spyglass Entertainment for another extraordinary action-adventure "G.I. Joe: The Rise of Cobra." From the Egyptian desert to deep below the polar ice caps, the elite G.I. JOE team uses the latest in next-generation spy and military equipment to fight the corrupt arms dealer Destro and the growing threat of the mysterious Cobra organization to prevent them from plunging the world into chaos. "G.I. Joe: The Rise of Cobra." is directed by Stephen Sommers ("The Mummy," "The Mummy Returns"). (from MovieWeb.com)

With the success of 2007's Transformers live action movie, it's no surprise that another Hasbro brand, G.I. Joe would finally get a live action movie treatment. I remember being somewhere in my pre-teens and seeing live action G.I. Joe toy commercials that seemed to hint at the idea of a live action movie coming to light. To my disappointment, and to the disappointment of many children at the time, no such movie materialized. Like Transformers, G.I. Joe was given the animated movie treatment in 1987 in a straight-to-video form, but it suffered some of the similar slash-n-burn rebooting of the series that the giant robot franchise also received.

For a director that knows nothing about restraint or subtlety, I suppose the G.I. Joe franchise is a perfect match. Stephen Sommers shot to fame with the success of his 1999 film The Mummy, starring Brendan Fraser and Arnold Vosloo, which spawned his 2001 follow-up, The Mummy Returns. In the film's sequel, Sommers didn't hold back and opted for "bigger" in hopes it would be better. It was anything but better and this lust for excess also brought down the 2004 Hugh Jackman vehicle, Van Helsing. As far as I and a lot of summer blockbuster movie fans were concerned, Sommers was a one-hit-wonder. And with a blase trailer issued for his latest venture, G.I. Joe: The Rise Of Cobra, no one really had much faith that Sommers could deliver a credible film. The end result? G.I. Joe: The Rise Of Cobra is everything you might expect from Sommers, but more entertaining than one would assume.

First off, for those reading this and thinking, "So the Transformers films have been anything but kid friendly, how does G.I. Joe: The Rise Of Cobra measure up?" Sadly, it's about the same. Both franchises seem targeted for people my age who grew up on the cartoons and the toys, and both play to the inner child still residing within us late-twenty-somethings/ early-thirty "man-boys." G.I. Joe: The Rise Of Cobra is an adrenaline rush and action film that's light on story and believability, but heavy on action, destruction, and eye candy. And while the latter may be something that both Transformers films thrive on immensely, G.I. Joe: The Rise Of Cobra pales in comparison when it comes to quality. With much of the action and scenery depending on special effects and CGI work, it's more than apparent that ILM didn't work on G.I. Joe like it did for Transformers, and this helps keep G.I. Joe feeling cheesier than it needed to be at points. The other moments that leant to the cheese factor, however, are some of the dialog, including a few love triangle plot elements that the story didn't need, and some corny attempts at humor (Really? We needed a Wayans brother in this for comic relief? No, I don't think so).

The content sends up a dramatic red flag when it comes to violence. While the Transformers films weren't very graphic or gory, G.I. Joe: The Rise Of Cobra does have its moments that could traumatize the younger kids and cause even some older folks to want to look away. Despite more than several characters walking away with bloody heads at different points in the movie, we see a shirtless man endure several bloody sword cuts, the disfigured face of someone scarred by a blast, a person's head covered in bloody burn marks (with their hair burnt off), a person screaming as their face starts to deteriorate, and finally a bloody-faced corpse that gruesomely begins to rapidly decompose before the Joes' very eyes. It's stuff like this that aim this film at the adults much more so than children, even though the film certainly has Hasbro aiming a toyline at the young ones regardless. On top of the bloody/gory moments, we see lots of cut-away violence that includes dismemberments and, especially, impalements. We'll see a sword go through a laptop sort of gadget in front of someone (from behind, so we don't see it sticking through the person directly), or a throwing star sticking out of a Viper's helmet eye-hole. Stuff like that that isn't entirely subtle, but indirectly shows gruesome violence. There's also a hearty helping of language included. Five prominent "S" words are featured, as well as a sprinkling of "h*ll" and "d*mn," a pair of "S.O.B," as well as other colorful obscenities. In the end, you wonder why this was necessary, especially when the film embraces an overall campy/lighthearted approach.

As far as story and overall film quality? As a fan of G.I. Joe as a kid, who collected the figures passionately and followed the animated TV show, I did enjoy the sort of Saturday-morning-cartoon-for-adults feel of G.I. Joe: The Rise Of Cobra, even if Sommers went over the top with junky content at times (the language especially felt out of place). And since the cartoon show never showed characters dying, but always had them narrowly escape, it seemed pretty drastic for there to be excessive fatalities shown in The Rise Of Cobra. It was especially fun to see characters like Snake Eyes and Storm Shadow come to life on the big screen (and both handled fairly well), but I was ultimately disappointed by the handling of characters like Duke, Ripcord, and especially Cobra Commander. I did appreciate the setups for Destro and Zartan and even a nod to Dr. Mindbender (unrecognizably played by Kevin J. O'Connor, who also appeared in the first Mummy film). Dennis Quaid brought a tad bit of star power to the film as the beloved Joe leader, General Hawk, and he handled the character rather well. Since this story is meant to just set everything up for future films, I'm really hoping we'll get to see characters like Flint, Beachhead, Firefly, Barbecue, Roadblock, Dusty, and Shipwreck in coming installments. I can't say I'm entirely pleased with how they wrapped up a few characters rather prematurely in this origin story, so hopefully they'll either remedy that as well, or just use it to be able to focus more on future characters instead. The only other truly unnecessary approach here was also one of the problems for this Summer's Wolverine origin flick. In The Rise Of Cobra, we're treated to several flashback moments in order to establish some character development, and while it works for moments with Duke for the most part, the flashbacks to Snake Eyes and Storm Shadow as children are iffy at best, even though the moments with Wolverine as a child were much, much worse.

I have to admit, I expected a trainwreck with G.I. Joe: The Rise Of Cobra and instead was met with more of a fender bender with a few major issues thrown in for good measure (like the content problems). As purely entertainment and nothing more, the first installment in the G.I. Joe franchise is a pretty good start and I'm very curious to see where it goes from here. It's certainly not as well done as the 2007 Transformers or this year's Star Trek reboot, but as another action movie inspired by toys and a cartoon series, G.I. Joe: The Rise Of Cobra makes for a pretty fun time at the movies. But take my advice - this one is not for the kiddies.

Oh, G.I. Joe, how you have had a troubled existence on the big screen. *Sigh.* As a child of the 80's, I was weened on the original animated TV series, featuring many of the characters that were reinvented in the first live action Joe film, 2009's G.I. Joe: The Rise Of Cobra. Now, twelve years after its debut, G.I. Joe: The Rise Of Cobra is back in glorious 4K UHD. There are so many things about this movie that could have gone right, but the studio powers that be miscast nearly every role and ended up removing everything about G.I. Joe that made the cartoon show as good as it was. The biggest miscasting was by far Channing Tatum as Duke, as the rising star mumbles his way, and clenches his jaw, through each scene. Michael Bell's heroic and crisp voice work on the 80's TV show was iconic, and Duke was the definitive face for G.I. Joe. To have him be a soldier who kind of stumbles into the Joe world is a really strange choice. To make things weirder, this movie establishes that, 4 years earlier, Duke was engaged to The Baroness, otherwise known as one of the main Cobra villains in the show's lore. Destro's deep, booming and intimidating voice is replaced by the Scottish-heavy accent of the more wiry and relatively harmless Christopher Eccleston. And poor Joseph Gordon-Levitt... the acclaimed actor over-plays the cartoonish (in a BAD way) role of "The Doctor" who ultimately - spoiler alert - becomes Cobra Commander by the film's end (the reveal is stupid, too, I must say).

My favorite casting is easily Lee Byung-hun as Storm Shadow, who actually does a pretty solid job, and Ray Park does well as Snake Eyes, although the mask having a mouth designed into it is a mind-boggling costume choice. Sienna Miller isn't a bad pick for The Baroness, but the way they wrote her is such an odd direction to take her in, and I did miss the accent from the TV series. Finally, Rachel Nichols was a decent choice for Scarlett, but, sadly, the movie objectifies the women characters quite a bit, sexying things up with tight outfits and ample cleavage. (And having Wayans' Ripcord slobber over Nichols the whole movie just fuels this.) Furthermore, while G.I. Joe was always aimed at young boys, this film is loaded with action violence - some pretty gruesome (including head shots and a face that convulses and melts into a pile of bloody goo) - and there's a surprising amount of language, too. Director Stephen Sommers lucked out by making an iconic horror-comedy with 1999's The Mummy, but has struggled since with how to make a good, exciting story with real meat to it. He failed miserably with 2001's The Mummy Returns, 2004's Van Helsing, and here again with The Rise of Cobra. The movie tries to set up a new world and franchise for live action G.I. Joe movies on the big screen, but this movie nearly kills it from the start.

Before I get to the 4K transfer, I have to highlight the score for this movie (and for its lone sequel, Retaliation, when I get to it). When this movie released, I wasn't impressed with Alan Silvestri's score for it, but after seeing it in 2021, following Silvestri's multiple scores for Marvel movies (like three Avengers films and Captain America: The First Avenger), Silvestri's 2009 G.I. Joe score seems to hint at better things to come from the famous composer. It works pretty well with the movie, especially when it has hints of patriotic cues, but it's never enough to elevate the film above its own mediocrity... and it doesn't feel like it has a standout theme.

G.I. Joe: The Rise Of Cobra in 4K: The 2009 G.I. Joe effort looks surprisingly great in 4K UHD. The picture is quite crisp, the color leaps off the screen, and the detail really comes through. I was definitely impressed with this transfer. The downside, however, is it also shows how poor some of the special effects in the film were. From the underground G.I. Joe base, which looks like a video game cut scene, to obvious green screen sequences, the 4K treatment does the special effects no favors at all. But the bottom line is - if you like this movie, this is still a worthwhile 4K UHD transfer.

The 4K set also includes a standard Blu-ray disc with previously released bonus content as detailed below. However, keep in mind that the original Blu-Ray release had all of the special features on the DVD included in the set. THOSE special features are not on either of these discs, however, they are on the iTunes digital copy:

Disc One: 4K Ultra HD Blu-ray

• Feature film in 4K Ultra HD
• Commentary by director Stephen Sommers and producer Bob Ducsay

Disc Two: Blu-ray

• Feature film in HD
• Commentary by director Stephen Sommers and producer Bob Ducsay