Dan Foreman (Dennis Quaid) is 51 and his life is good... on the whole. The long-term head of ad sales at the weekly Sports America has just celebrated the magazine's biggest year, thanks in large part to Dan's warm, honest, handshake deal style he fosters. Even the news of his wife's unexpected pregnancy and the acceptance of his eldest daughter, Alex (Scarlett Johansson), into NYU, leave Dan happy, though not entirely unconcerned about family finances - but he will, as he always has, manage. Carter Duryea (Topher Grace) is 26 and thinks his life is awesome, mostly. The whiz kid has been devoting himself single-mindedly to getting ahead at the multi-national conglomerat Globecom. When Globecom aquires Sports America, Carter assumes Dan's job, becoming his boss in the process. As Dan learns to cope with this and the major changes in the company to follow, he must also come to grips with the idea of his new boss falling for his daughter... (from InGoodCompany.com)

In Good Company takes the viewer right on into "corporate America" and into the lives of the work ethics of the "old school" way that business is run successfully, along with the new way technology and the business world is effecting the next generations. Quaid, who perfectly embodied the great American dad in Frequency tackles this role impeccably again, from a new angle. While the idea of a 26-year-old becoming a 51-year-old's boss may seem odd or to some even farfetched, it's quite a common situation these days. Weitz does a fantastic job painting the pictures of the two different generations, the broken home, the seldomly functional family, the job mergers, the layoffs, etc. It's "corporate America" at its ugliest, yet Topher Grace presents the young and ambitious new generation with sensitivity and believability. You're made to hate him, yet love him and root for him, yet hope he fails.

Weitz's last picture, About A Boy was a drama sprinkled with some comedic moments and charm, but ultimately had a heavier, dismal feel. In Good Company faces the realism of many serious issues with charm and humor that make the film fun to watch even when situations are on anything but the light side. We're given plenty to like and care about the characters which helps add a lot of strength to the story.

As usual, there's a good enough objectionable content to warrant a cautious consideration. While I'm giving the movie a high rating for solid performances and a winning story, it's by all means not perfect, with it's main problem lying almost exclusively in the content department. (**Some possible spoiler warnings ahead...**) My biggest beef is, in bringing Alex and Carter together, we witness her virtually seduce him in her dorm room. He doesn't put up much of a fight and the scene is rather sensuous. But beyond seeing Alex prep the room for a romantic setting as we see Carter mulling over what to do in the situation, none of the actual sexual encounter is seen. However, it's understood they sleep together and this is referenced later in the film. Language is also a problem with a handful of "s" words and other colorful phrases. With the competitive nature of the business world coupled with expected negative character responses to the news of being fired, insults and name-calling indeed abound. Finally, in a sequence where Dan realizes he's walking into a surprise party, we see him disappear for a minute and enter the party in just his boxers. To further shock the party goers, we see through the LCD screen on someone's camcorder that he drops his shorts and moons the guests. With all the above omitted, In Good Company would be a family-friendly flick and it's a shame Weitz & company couldn't trim it out. While some of the coarser language leant to the painting of a few characters as less than favorable, there are better ways of going about successfully achieving that.

The message of In Good Company is a good one and I was pleased with how the story resolved itself unpredictably. There's a lot to like about the film, but I suggest catching an edited version of it sometime (as usual, waiting for it on TV or renting an edited DVD version from a service is recommended). But content aside, the solid and convincing acting from Quaid, Grace, and Johansson and its well-written story are what earn it higher marks.