In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human sacrifices in the catacombs of an ancient palace. (from IMDb)
To celebrate 40 years of Indiana Jones, Paramount Pictures recently released a 4-movie, remastered 4K collection of the Indiana Jones movies. It's officially no longer "The Complete Adventures," because - as I type this - a fifth and reportedly final movie is being filmed right now, with Harrison Ford reprising his role for one last time. Up until this point, I've only ever reviewed one of the movies for this site, so I feel like the best way to review this set is to take a look back at each one individually. With that, I offer my thoughts on the series' first sequel, Indiana Jones and the Temple of Doom.
Due to its edgier approach and dark content, I actually didn't see Indiana Jones and the Temple of Doom till I was much older. I had first seen Raiders of the Lost Ark as a pretty young little kid, but I'd missed Temple of Doom altogether. I do remember hearing how rough the content was, though, and that helped keep me away for years. I first watched the movie through the DVD-editing service ClearPlay, and then later watched it normally when it released on Blu-Ray. From its bizarre opening number to the evil human-sacrificing cult scenes and disgusting dinner table scene, there was a lot about this movie I didn't like or just didn't sit well with me. Even to this day, the lengthy temple sacrifice scene makes my spirit squirm.
With this 4K disc set, I watched some of the special features about Indiana Jones and the Temple of Doom for the first time. In them, Spielberg explained that he had originally made a deal with George Lucas that, if they were to make Raiders, Spielberg would have to agree to making a trilogy of films. He also revealed that George had insisted on this film being darker--like Star Wars: The Empire Strikes Back (Yikes - what a poor comparison!). The creative team decided to make this a prequel of sorts and set it a year before Raiders to explain away why Karen Allen's Marion Ravenwood wasn't in this story (or Nazi's). So, really, Temple of Doom has little to nothing to do with connecting to Raiders, except that it's Indiana Jones. The movie begins in Shanghai and finds Indy dealing with the Chinese mob. Then he ends up on a plane and crash-lands in India, where he's kind of forced into helping a village get back a sacred stone from a cult leader who stole it from them. To make matters worse, the cult stole all of the village's children and has put them to work mining for two more lost sacred stones. After running into a little boy who escapes the clutches of the cult, Indy, his young friend Short Round, and an unwilling new companion, Willie Scott -- played by Kate Capshaw, he reluctantly sets out to retrieve the stones.
Where Raiders had groundings in Biblical subject matter, Temple of Doom is far more sinister. Dark is hardly the word for it. Due to the horrors in Indiana Jones and the Temple of Doom, the PG rating enraged many parents who trusted the rating and brought their children to the movie, only to see a man's heart get ripped out before he's lowered into a pit where he catches on fire--all while still alive. This led to the birth of the PG-13 rating (even though I do think this movie - like JAWS - push even the PG-13 rating). While Empire Strikes Back was indeed a darker movie in the Star Wars series, it had meat. It's a deep movie for a kind of story like Star Wars, and it shows true heroism while also displaying that the good side doesn't win every battle, even if it does win in the end. (Luke's training is impactful, Han's growth from smuggler to hero continues, and then of course there's that iconic bomb-drop when Vader reveals who he really is to Luke.) Temple of Doom doesn't do much for the Indy series other than giving fans a chance to see an evil version of Indiana Jones (as he gets brainwashed by the cult when he's forced to drink blood) and see him rescue a village-sized group of oppressed children. In retrospect, Lucas and Spielberg agree the movie was too dark, and even Spielberg admits it's his least favorite movie in the series (although he's ecstatic he met his wife, Kate Capshaw, on this production).
It's tough for me to find things to like about Indiana Jones and the Temple of Doom. I can't stand Capshaw's character of Willie. She's annoying and screams way too much. Especially when you stack her up against Marion Ravenwood and Ilsa in Last Crusade, she just doesn't hold up. Short Round is a semi-endearing character, but compared to any of the other films, it feels like a really odd choice to have Jones' sidekick be a little boy. It doesn't make a ton of sense. Still, I'm sure it's thanks to his role here that we get to see him play Data in The Goonies, so I suppose that's one plus. The mine chase sequence at the end of the movie has now become iconic and is probably the high point of Indiana Jones and the Temple of Doom. Ironically, it was an unused idea from Raiders of the Lost Ark, which makes it kind of sad that the best thing about the prequel/sequel is something thrown out of its predecessor. The rope bridge battle in the finale is also pretty iconic, and another positive to this entry.
So, the content... Indiana Jones and the Temple of Doom follows in Raiders' footsteps by offering graphic and violent action scenes, with some really gruesome visuals as well. However, in some ways, it takes it to a totally different level with how dark the overall film is. In the opening scuffle in a nightclub, a man gets killed when a flaming skewer hits them in the midsection, and we see blood slowly form on a man's shirt after he's unexpectedly shot. The real terror, however, begins once the Indy and his friends get to Pankot Palace. From the gruesome creepy-crawly filled dinner table - with chilled monkey brains as the dessert - to a room literally covered with thousands of crawling insects, Spielberg and company don't hold back the unsettling visuals. From there, we witness a Thuggee living sacrifice ceremony where the chief villain, Mola Ram, pulls a man's still-beating heart out of his chest (and then we see the wound close on its own) and then lowers him into a lava pit to be burned alive. Later, they flog Indy and force him to drink "the blood of Kali," which turns Indy evil and he not only hits Short Round across the face, but helps to shackle Willie into the living sacrifice cage to have her lowered into the lava pit. There are plenty of other rough scenes - including the Thuggee's using a voodoo doll to inflict pain on Indy, and some scenes that show young children getting whipped briefly as they work in a mine. The finale shows crocodiles rolling in a river, pulling on clothes of men who have fallen into those waters, presumably as they're being eaten. We don't really see much more than crocs tearing at the clothes (maybe a little "meat"?), but it's definitely a violent image. We also see a character fall down a mountainside and hit their head on the rocks before landing in those croc-infested waters. There is no direct sexual content, but there is some dialog between Willie and Indy about possibly spending the night together, and she tells him that she could have been his greatest adventure. Language is minimal, but there's 1 "S" word and some uses of "Oh my G-d" (and the like) as exclamations.
Overall, Indiana Jones and the Temple of Doom is a disappointing sequel to a modern classic. It's darker, more violent, and more unsettling than its predecessor, and easily the weakest of the original trilogy. I may have to say Kingdom of the Crystal Skull may beat out Temple of Doom as the worst of the series, but the grim nature of Doom makes it a tough one to revisit. The occultic content is definitely unsettling, but there's also something gratifying about seeing Indy battle and defeat pure evil like this.
Indiana Jones and the Temple of Doom is now available in brilliant 4K UHD. You can get it on its own digitally now, or in a special 5-disc, 4-movie 4K set. According to Paramount Pictures, "all four films are available together in 4K Ultra HD with Dolby Vision® and HDR-10 for ultra-vivid picture quality and state-of-the-art Dolby Atmos® audio. Each film has been meticulously remastered from 4K scans of the original negatives with extensive visual effects work done to ensure the most pristine and highest quality image. All picture work was approved by director Steven Spielberg. In addition, all four films were remixed at Skywalker Sound under the supervision of legendary sound designer Ben Burtt to create the Dolby Atmos® soundtracks. All original sound elements were used to achieve the fully immersive Dolby Atmos® mixes while staying true to each film's original creative intent."
Indiana Jones and the Temple of Doom definitely is revitalized in the 4K format. I don't think it has quite the punch that Raiders and Last Crusade get visually in this format, but it's definitely a better visual presentation than Crystal Skull.
The 4K set also includes a standard Blu-ray disc with seven hours of previously released bonus content as detailed below:
Disclaimer: All reviews are based solely on the opinions of the reviewer. Most reviews are rated on how the reviewer enjoyed the film overall, not exclusively on content. However, if the content really affects the reviewer's opinion and experience of the film, it will definitely affect the reviewer's overall rating.
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