When Godzilla inexplicably attacks the shore of Pensacola, FL, a team of scientists enlist the help of Kong to journey into the Hollow Earth in hope to find an energy source strong enough to stop Godzilla from attacking again.

Through Warner Bros.' self-proclaimed MonsterVerse, the studio has been building to this movie since they released their 2014 solo Godzilla outing. That film was followed by 2017's Kong: Skull Island, a story set in the 1970's that reintroduced the monstrous gorilla to a new generation of fans. Finally, five years since we last saw the giant lizard, 2019's Godzilla: King of the Monsters saw the kaiju battling all kinds of beasts to be crowned the king of all monsters. Now, after a year-long delay, we have the ultimate showdown between two of the most powerful monsters in Godzilla vs Kong - and there will be only one definitive winner.

The past decade has seen some pretty dramatic - and sometimes disappointing - versus films. It began in 2015 when Batman picked a fight with Superman in Batman v Superman: Dawn of Justice, and continued a year later when Iron Man and Captain America had a falling out in Captain America: Civil War (and in my opinion, the latter Marvel effort was a considerably better and more emotional film). 2021's Godzilla vs Kong is an exciting concept for sure, but it actually isn't the first time these two have fought. In 1963, King Kong vs. Godzilla first pit the two against each other, but a lot has changed in 58 years - especially filmmaking technology. There's no better time than now to bring these two beasts to the big screen.

Sadly, the big screen isn't what it normally is right now, being that we're still in the midst of a global pandemic. Thankfully, HBO Max is also streaming Warner Bros' movies the same day they hit theaters, even debuting them online right at midnight (PT). So if you're not up for sitting in a movie theater for 2 hours with a mask on, you can still enjoy the film in the comfort of your own home (or even on a mobile device). While I'd love to see a face-off like this on an IMAX screen, I opted for a first watch at home to be able to screen it first for our Godzilla-obsessed 10-year-old son. And while I miss the massive display for larger-than-life characters, the movie looks beautiful streaming in 4K. And that sound booms!

The movie picks up a couple years after the events of Godzilla: King of the Monsters. Millie Bobby Brown returns as Madison, while a new cast of characters that includes Rebecca Hall (The Prestige, Iron Man 3) and Alexander Skarsgård (The Legend of Tarzan, Big Little Lies) join Team Kong. Even though King of the Monsters had some delicious monster action sequence (I mean, c'mon, how cool was Ghidorah?), the human storyline was kind of stupid. The monsters were awakening because of a device that had been created to somehow "speak" to the monsters (And the story's villains wanted the monsters' rule to reshape the world). Since Godzilla must fight them to keep the pecking order looking his way, the big lizard was the reigning champ to beat. To make the human story all that more troublesome, there really wasn't even a likable character in the bunch (and the arguably likable ones ended up dying at some point). Even Millie Bobby Brown, who was introduced to the world as the lovable Eleven in Netflix's Stranger Things was anything but endearing. Thankfully, Godzilla vs Kong largely fixes this. Even Millie's return as Madison is far warmer this time around. She's accompanied by a conspiracy theorist named Bernie, played by Brian Tyree Henry, who's so kooky that he's likable - even though he feels like he's a renegade from a Roland Emmerich disaster film - and Deadpool's Julian Dennison, who still seems like he thinks he's funnier and more charming than he actually is. It's an odd mix of characters, but for a kaiju / disaster movie, we've done a lot worse before (take the 1998 Godzilla movie - speaking of Roland Emmerich - as Exhibit A). Kaylee Hottle makes her acting debut as Kong's number one fan, Jia, and she's cute and sweet - just the kind of traits you need for a character like her. She doesn't need a wide acting range for the part, but she's further proof that a good child actor is tough to find (examples of bad casting include Nico Parker in 2019's Dumbo and Lucian Perez in Wonder Woman 1984, both who gave more wooden performances than any given inanimate set piece in their respective films).

But hey, you don't watch a Godzilla vs Kong movie for the human actors. Sure, they're a necessary "evil," so to speak, which is why they're still very important, but we're here to see the main title characters duke it out. Thankfully, Godzilla vs Kong delivers. It takes a bit to get going, and it primarily follows Kong's character, fleshing him out the most since he's the least built up of this MonsterVerse film series, but when the action lets loose - it's pretty great. Director Adam Wingard makes an effort to show angles and sides of Godzilla we haven't already seen over and over, and when the two big guys throw down, it's a thing of beauty (in a destructive, popcorn-munching entertainment sense, of course). The climax of the movie doubles (triples?) down on the action for a scene of mass demolition that would make Zack Snyder's mouth water. (We even have his frequent composer Tom Holkenborg - AKA Junkie XL - providing the score this time.) I don't want to spoil too much, but Godzilla vs Kong is a lot of fun and a feast for the eyes.

The content is dialed back a little from Godzilla: King of the Monsters and Kong: Skull Island. This movie has some serious Pacific Rim vibes visually and action-wise, but the language is a little less frequent and in-your-face than it was in King of the Monsters (and the human characters are a bit less "angry" and prone to shooting each other this time around). There is still a handful of uses of the "S" word, mostly from Dennison (and an incomplete "what the f--" from Skarsgård), and a couple uses of "Oh my G-d" as an exclamation, as well as one use of "g*dd*mn" from the film's villain. There is no sexual content, and blood/gore is also infrequent, as it's mostly shown when Kong rips apart some creatures in a scene or two. There is a wealth of destruction, as I mentioned above, which will surely be harrowing to some, especially when the action makes its way on land and towering building after towering building comes tumbling down.

Overall, Godzilla vs Kong is hardly a masterpiece, but it's definitely a rip-roaring good time at the movies. Its visually rich action sequences certainly make it rewatchable, but if senseless monster movies aren't really your thing, you can skip it. For the rest of us, however, it delivers what we came here for.

Godzilla vs Kong comes home in every modern format, including 4K, Blu-Ray, DVD, digital, and even 3D Blu-Ray. We were sent a copy of the 4K UHD release, so here's a look at that transfer and the bonus features that come with the set and the iTunes digital copy.

Godzilla vs Kong in 4K UHD - Ah, this movie is beautiful in 4K. The color is super vibrant - especially during the glowing lights of the Hong Kong setting - and the detail in the monsters (like Godzilla's scales and Kong's fur) is just fantastic. Streaming it in 4K on HBO Max opening day was equally beautiful, but you can't help but notice the even sharper detail on the 4K disc release. If you have 4K viewing capabilities, this is a movie to see in this format!

Also, seeing the movie again... it's a 5-star experience for the Godzilla vs Kong fights, and about a 3 or 3.5 star experience for the human story elements. Overall, the movie is a lot of fun, but we all know it's silly. For what it is - just a reason to see these two titans throw down - it delivers and it's a blast!

The Rise of Mechagodzilla (7:06) - The filmmakers talk about bringing another iconic character to the screen and how Mechagodzilla is really kind of a... jerk. (Ha!) They also talk about building the Ghidorah skull set and the fight that Kong and Godzilla have with him. (1 "h*ll" and 1 "Oh my G-d" from the movie)

The God
Godzilla Attacks (6:25) - Director Adam Wingard talks about getting the chance to make a Godzilla movie and wanting to have the monster attack a city like in the classic films to make people question whether or not he still is fighting on the side of humanity. He also talks about wanting to give some visual nods to Jaws in how he presented Godzilla underwater. Finally, the featurette covers the human character trio of Bernie, Maddie and Josh. (1 "S" word and 1 "h*ll" from scenes from the movie.)

The Phenomenon of Gojira, King of the Monsters (9:51) is a great featurette that covers a brief history of the character through the movies since the 50's, and how he made the transition to American cinema. Here we get to see interviews with cast and crew from the previous two Godzilla films in the Monsterverse, as well as for Godzilla vs Kong, too. (1 "bad*ss")

The King
Kong Leaves Home (7:55) - Here, they talk about how this Kong is bigger, older, and kind of lonely. They did some of the Skull Island filming on location in Hawaii, and we see some great B roll footage from during the filming. They talk about the costume design, the intelligence of Kong, building sets, casting little Kaylee Hottle as Jia (and how great she is), and more.

Kong Discovers Hollow Earth (7:52) is about Kong's journey and trying to deliver the payoff for years of teasing what the "Hollow Earth" is. This featurette also covers the suits the humans wear and the creatures found in the Hollow Earth.

Behold Kong's Temple (5:51) is about Kong becoming "King Kong." They talk here about designing the Hollow Earth temple, and the iconic moment when Kong gets to sit on the throne.

The evolution of Kong, Eighth Wonder of the World (8:25) - Here, they talk about the legacy of King Kong through the years, starting with the 1933 movie. They also talk about the Skull Island movie and we hear that movie's cast talk about the character.

The Battles
Round One: Battle at Sea (5:00) talks about how, in the first fight, they wanted Godzilla to be in his element. Wingard likens Kong's struggle during the scene, being trapped underwater, to what the human characters are experiencing at the same time too. (1 "Oh my G-d")

Round Two: One will Fall (5:57) - Wingard said they really wanted to make this an ultimate, epic battle because it hadn't been fought on screen since 1962. Also, he mentions how, this time, Kong is more so in his element in the city of Hong Kong.

Titan Tag Team: The King and the God (7:59) is about Kong and Godzilla's relationship and how they must unite to defeat Mechagodzilla. They relate it to being like a WWE tag teaming and nature overcoming technology. Wingard also points out that Mechagodzilla would have killed Godzilla the same way Godzilla had killed the MUTO's with his atomic breath in the 2014 movie if Kong hadn't intervened. (1 "a" word, 1 "b*stard")

Monster Moments - Once again, the iTunes digital copy offers the "Monster Moments," which allows you to jump to specific moments in the movie to watch those scenes. There's a Play All option (22:49) or you can select the moments individually: "King of the Monsters" (2:27), "Maritime Nayhem" (6:20), "Hong Kong Showdown, Part 1" (3:47), "Hong Kong Showdown, Part 2" (2:31), "Godzilla vs Mechagodzilla" (4:58), and "The Final Battle" (2:47).