Doing a write-up about a band like As Cities Burn is always a little bit difficult; because like a great book or film, their albums take much dedication and many repeated encounters if you are to grasp all of the vivid imagery inherent and the overall message trying to be conveyed. To simply take a few listens in the days and weeks leading up to its release and then slap a rating on it, feels somewhat cheap and unfair. But here is an honest attempt.

Hell or High Water is an album about water. It is about being submerged, or baptized, in it, because the only other option is literal Hell. Obviously, this has eternal connotations, as Christ refers to Himself as "the Living Water" in Scripture. But Hell or High Water, as both of As Cities Burn's previous efforts have attempted, wants to take Scriptural truth and apply it to every day life, as it was meant to be read. In short, Hell or High Water is about the Living Water, and what life looks like when we are not submerged in Him.

And speaking of such imagery, it is better to lunge into Hell or High Water for yourself, rather than be given a track-by-track synopsis by another humble source. But the conventional church of today is a running theme throughout the album's ten tracks; or more specifically, stepping away from it in order to find what Christ is doing outside of its walls. The lyrics of As Cities Burn have always been deep and insightful and convicting, and Hell or High Water is no exception.

The boys, once again, have decided to take their music in another direction. Though it is less of a marked change than their debut was to their sophomore release, the difference is still, well, marked. This time around, it is stripped down rock 'n roll with experimental touches for good measure. The licks are still very much As Cities Burn, but the whole record just has a very nautical feel to it, if that is even possible. Also, it is worth noting that former front man T.J Bonette makes a very brief appearance, fittingly, on the album's opening track, "'87 Sheepdog," to scream on one of the song's final choruses. For newcomers, the appearance is barely noticeable, but old time fans will let out a "Be still, my heart" sigh and remember fondly the old days.

And just as fitting as the album beginning with an appearance by T.J. is that the album ends with a studio version of "Gates," a live favorite that the band has ended shows with for years now. Also fitting is that it contains reworked lyrics from a song on their first album. Given this album's title, and theme, a song about stepping out in Love is a breathtaking closer: "We will wear compassion, we will wear it. And the gates of Hell won't stand against it." If this is As Cities Burn's swan song, then it is a fitting, and powerful, one.