
Dian Diaz is credited as the sole songwriter on "Even Here," which represents a sharp turn from the string of cover songs preceding it. In fact, as far as I can tell, this is the first song Diaz has ever released that she wrote entirely by herself. (She shares lyrics credits on just a handful of songs from her 2006 album.) More notably, "Even Here" marks the first instance I can find of Diaz singing openly about her faith -- something that might be a complete surprise to her listeners, except for the fact that one of the covers she released this summer was "You Say" by Lauren Daigle. I know very little of Diaz's faith journey, but it makes me wonder how long she's been wanting to sing and write about God, especially considering how this song was written solely by her. (For reference, her 2006 album is decidedly not a Christian album -- though it is extremely good adult contemporary and Latin pop that I would highly recommend to fans of Celine Dion, Sheryl Crow, Christina Aguilera, or Shakira.)
Dian Diaz's bread and butter has always been ballads (be it piano, power, or otherwise) where she can start off soft and steadily build into a show-stopping display of her vocal prowess as the song builds and builds to an emotional crescendo. "Even Here" is no different. Inspired by the parable of the mustard seed, the lyrics are an impassioned plea for believers to remember that God is with them, no matter how small their faith may be or feel: "You don’t need perfect faith / You don’t need fearless strength / Just the faith you already carry / Is more than enough today." The song has a tender, encouraging throughline, as Diaz sings, "I’ve seen the way you trust Him / Long before this night / The quiet prayers you’ve planted / In the dark without a light." And even when the lyrics occasionally dip into clichés ("You are not alone / Not now, not ever"), Diaz's emotive vocals sell the lines with gusto. Perhaps what's most interesting about the song is how amorphous its structure is. It slides from section to section until the halfway point, where a sudden drop takes us to a new staccato-string section instead of the chorus you were likely expecting. The music then builds into its majestic powerhouse finale, displaying how Diaz is unafraid to defy typical verse-chorus structures and expectations.
If I have one nitpick about the song, it's that it wasn't mixed or mastered as well as it should've been. For example, the percussion on the track often feels unnaturally disconnected while frequently getting buried by other instruments. Also, the beginning is ultra-quiet, which will cause listeners to pump up the volume, only to inevitably force the volume back down once the song explodes into its climax a few minutes later. But these are minor quibbles about what is otherwise an exciting and long-overdue return to recorded music for Dian Diaz. For three decades, her immense talents have been reserved almost entirely for the live stage, and I hope that "Even Here" signals a shift toward prioritizing writing and recording more frequently. Her voice is simply too big for Las Vegas alone.
Record Label: None
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