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The Phoenecian Scheme

The Phoenecian Scheme




Rated PG-13 - for violent content, bloody images, some sexual material, nude images, and smoking throughout.
Director: Wes Anderson
Starring: Benicio Del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Jeffrey Wright, Benedict Cumberbatch
Running Time: 1 hour, 41 minutes
Theatrical Release Date: June 6, 2025

READER RATING:   


Plot Summary

Wealthy businessman Zsa-zsa Korda appoints his only daughter, a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins. (from IMDb)


Film Review

If there's any director whose entire body of work can be considered the definition of "an acquired taste," it's most certainly Wes Anderson. "Quirky" doesn't even begin to describe his movies, but he's been carving out a name for himself, surprising and captivating audiences since his first directorial effort, Bottle Rocket, 29 years ago. No other director has his style, and Wes Anderson's filmmaking approach has almost become a kind of "inside joke" in a way -- It's like, if you don't understand his movies or style, it's our fault.

The Phoenecian Scheme
I've seen a decent number of his movies through the years, even checking out a couple of his R-rated efforts through movie editing services many years ago. His live action movie I remember liking the most was probably 2004's The Life Aquatic with Steve Zissou, but the director finally knocked one out of the park with me when he delivered his first stop-motion animated film, Fantastic Mr. Fox in 2009. It's definitely quirky, but it's a brilliantly animated and beautifully delivered story. It's still quite fantastic 16 years later. Two years ago, Anderson delivered the star-studded live action film, Asteroid City, which was about as bizarre as they come. And while it sure was visually exciting, it seemed to drop the ball in several ways, especially when it came to storytelling.

Enter 2025's The Phoenecian Scheme. Another star-studded live action entry into his directorial catalog, The Phoenecian Scheme follows Benicio Del Toro's wealthy businessman, Zsa-zsa Korda, as he attempts to reunite with his only daughter, Leisl, a nun (played by Kate Winslet's real-life daughter, Mia Threapleton), to appoint her as his sole heir. He then unveils "The Phoenecian Scheme," an elaborate business venture that he needs to convince several other wealthy people to help fund. Along the way, Korda is continuously being threatened with murder, while struggling to reconnect with Leisl and convince her of his good intentions... all while unexpectedly finding himself on his own spiritual journey.

The Phoenecian Scheme
The Phoenecian Scheme has a lot going on with it. By now, Anderson's directorial style is so formulaic, that it's often amusing just to see how he sets up shots and delivers scenes. But the thing is, it's also quite artsy - in a good way - and while some of his other movies, arguably, feel like they get lost in the formula, The Phoenecian Scheme never stops delivering. His style only strengthens the movie here. Admittedly, I had a hard time following just exactly what was Korda's "scheme," but I'm not convinced Anderson was too worried about making it especially clear. It became pretty evident rather quickly that Korda was seeking out investors for his grand plan, and Leisl was brought along to start learning the ropes of his operation so she could eventually take over. But Korda's reputation was that of a shrewd businessman and philanderer, and he had the challenge of convincing Leisl that he cared for her (especially because she was under the impression that Korda was responsible for her mother's mysterious death).

While the details of the scheme are a little fuzzy - and the scope of his grand plan isn't revealed until the film's end - the dialog and stellar performances keep The Phoenecian Scheme worthy of our attention. It's deviously funny from start to finish, but most of that is stemmed from just how bizarre everything is - and del Toro's wonderful performance. The opening scene shows Korda on a private plane when he suddenly hears a faint explosion. We then see a big hole get punched into the side of the plane and his assistant, who was sitting in the back, get torn in half. Only his legs and waist remained in their seat with just a splatter of red blood against the wall behind him being all that remained of his upper body. It's shocking and gruesome, but Anderson also presents it in his usual, somewhat cartoony kind of way. Korda then seems confident enough to land the plane himself while still in the air, and then the scene cuts to the plane's burning wreckage on the ground, with a horribly wounded Korda limping away (and holding a blob against his clothed stomach that he tells a reporter is an organ he couldn't quite "get back in"). It's all pretty bonkers, but it's business as usual for Anderson.

From beautifully crafted sets to clever blocking and framing, to excellent use of light and color, and amusing human interactions, The Phoenecian Scheme is a fun film to watch. What you may or may not expect, though, is a spiritual theme to run throughout the film as well. (I'm about to get spoiler-y with some plot points in this paragraph, so consider yourself warned!) Korda's daughter, Leisl, is a nun, but one who seemed to pursue faith for unexpected reasons. She ends up greatly inspiring Korda spiritually, while Korda's interactions with her seem to impact her in a different way. With all of the attempts on Korda's life, he keeps having visions - if not literal trips to the afterlife - that cause him to rethink his way of life, and his surprising encounter with God at one point, has him verbally acknowledging Jesus as God's son. I definitely wasn't expecting that. (Also, who they cast as God is hysterical - if not entirely distracting - and if you know anything about what my favorite movie is, you can understand why I'd find the casting so amusing.) But there isn't really anything about The Phoenecian Scheme that feels evangelical. Leisl appears to actually leave the nun's life by the film's end, while Korda adopts a more humble way of life (including a sort of servanthood, if you will). There's enough spiritual content here to warrant discussion, however, and one could certainly see some negative messaging in there as well. But given how light all of the content in the whole movie is handled by Anderson, you probably would be fine taking everything The Phoenecian Scheme has to offer with a grain of salt.

The Phoenecian Scheme
The content for The Phoenecian Scheme is very PG-13, but in surprising ways. There isn't any sexual content outside of mentions of Korda's infidelities (and a couple other characters' infidelities as well), but we do see a painting done in a Renaissance style that shows a barechested woman - as a centaur? - being groped by a man from behind. The camera focuses on it a couple times, including when a young boy is staring at it. We also see a handful of books about sex with illustrated covers in a similar art style, and they're played for laughs. Profanity is kept to one use of the "S" word and three uses of "g*dd*mn," as well as 2 uses of "h*ll." (And some of those are barely heard when characters are shouting over each other.) The main content to be wary of would be some violence and violent imagery. The most intense is a scene where a character takes a bullet to the abdomen, and when he's lying on the floor, we watch as someone rips the person's shirt open and we see the bullet wound in their skin with blood streaming out. The camera lingers on the scene (in typical Anderson fashion) for a time, and then another character is asked to fish the bullet out of the wound. As a result, a character reaches their fingers into the wound and the bullet pops out into his fingers (with more blood dripping down the victim's side). Korda sustains many injuries throughout the movie and we often see scrapes and cuts on his face and body. The title sequence is an overhead shot of Korda in a bathtub with bandages on him from the opening plane crash, and we see some bloody cuts on his shoulders. We see characters with varying degrees of wounds during the movie, but the final most graphic moment shows a character blow themselves up using a grenade. It's a little surprising as well, but also shown in a sort of cartoony way. They explode into clothing debris and a fireball, with only their shoes remaining behind. (Also, a side note for some of you: Bjorn is an entomologist - a person who studies bugs - so the movie does focus on bugs in several scenes. During a montage later in the movie, we see Bjorn handling a large spider over a cubed box. A following shot shows the box at a different angle with the spider's legs sticking out of the top of it.)

If you're a fan of Wes Anderson's work, there's a good chance you'll enjoy The Phoenecian Scheme. I'd hardly call it an accessible film by any means, but I would say it's one of his better ones (of the ones that I've seen, that is). The characters are likeable, the visuals are lovely, the acting is superb, and the movie is definitely funny. (We actually had a good audience of clearly Anderson fans who seemed to really enjoy it as well.) While Fantastic Mr. Fox may be my best recommendation as an entry point into the director's work, The Phoenecian Scheme probably isn't a bad place to start, either.

- John DiBiase (reviewed: 6/7/25)

 

 

Parental Guide: Content Summary


. Sex/Nudity: There is some mention of Korda's infidelities (and a couple other characters' infidelities as well); We see a painting done in a Renaissance style that shows a barechested woman - as a centaur? - being groped by a man from behind. The camera focuses on it a couple times, including when a young boy is staring at it; We see a handful of books about sex with illustrated covers in a similar art style, and they're played for laughs. Leisl asks to keep one that interests her; Bjorn asks if Leisl has had any lovers; Leisl is briefly seen in a baggy (unflattering) nightgown and we sort of see the shapes of her nipples in the fabric.
. Vulgarity/Language: 3 "g*dd*mn," 1 "S" word, 2 "h*ll"
. Alcohol/Drugs: Korda has drinks a couple times, and often will drop a chemical in them to test if they're poisoned; Leisl is offered drinks a couple times, but she says she's never had hard liquor. She's always convinced to partake when they tell her it's not hard liquor; Bjorn and Leisl drink beer in one scene, having three each, and Bjorn appears drunk; Some characters drink martinis in a scene; The final scene shows a restaurant kitchen with LOTS of wine bottles and liquor bottles lining the wall.
. Blood/Gore: An explosion suddenly punches a big hole into the side of a plane tearing someone sitting next to it in half. Only his legs and waist remained in their seat with just a splatter of red blood against the wall behind him being all that remained of his upper body; Korda is shown badly wounded after the plane crash, with blood all over his face and clothes and a very swollen eye. He's seen clutching something bloody to his stomach and he refers to it as being an organ he couldn't get back into his body; The opening titles are shown over a view of Korda sitting in his bathtub with some bloody bandages on his shoulders and head. One nurse removes one bandage on his shoulder and a cut is seen (very much shown at a distance). We see some bloody bandages in a nearby sink; Korda has a black eye and scrapes on his face during the movie; A man, shown from the side profile, is suddenly shot. We see the exit wound in their coat before they collapse dead; A character takes a bullet to the abdomen, and when he's lying on the floor, we watch as someone rips the person's shirt open and we see the bullet wound in their skin with blood streaming out. The camera lingers on the scene for a time, and then another character is asked to fish the bullet out of the wound. As a result, a character reaches their fingers into the wound and the bullet pops out into his fingers (with more blood dripping down the victim's side); Korda has a sling over his arm with some blood on it after another plane crash; Leisl has some scrapes and bruises on her face; Two characters are seen with tubes connected to their arms as they conduct a blood transfusion. A man sits between them slowly pumping and you can see some blood in the pump; A character has some blood on his forehead during and after a fight; A character is seen foaming at the mouth. They then pull the pin out of a grenade and clutch it close to them. We see it explode and them disappear in the fireball with debris flying. Only their shoes remain; We see a black-and-white photograph a couple times that show a man and a woman lying face down with blood splatters around their head; In a vision, Korda carries a dead deer over his shoulders. He then put it on an altar, takes a knife and cuts it open, spilling coins out instead of blood or guts.
. Violence: The opening scene shows Korda on a private plane when he hears a faint explosion. We then see a big hole get punched into the side of the plane and his assistant, who was sitting in the back, get torn in half. Only his legs and waist remained in their seat with just a splatter of red blood against the wall behind him being all that remained of his upper body; A man is suddenly ejected out of a plane cockpit; We see the burning wreckage of an airplane; Korda is shown badly wounded after the plane crash, with blood all over his face and clothes and a very swollen eye; A man, shown from the side profile, is suddenly shot. We see the exit wound in their coat before they collapse dead; Leisl suddenly draws a dagger out of nowhere in defense; Some fanatics shoot up a ballroom, repeatedly shooting a chandelier; A character takes a bullet to the abdomen, and when he's lying on the floor, we watch as someone rips the person's shirt open and we see the bullet wound in their skin with blood streaming out. The camera lingers on the scene for a time, and then another character is asked to fish the bullet out of the wound. As a result, a character reaches their fingers into the wound and the bullet pops out into his fingers (with more blood dripping down the victim's side); Some characters are shown wounded after a plane crash; We see a black-and-white photograph a couple times that show a man and a woman lying face down with blood splatters around their head; In a vision, Korda carries a dead deer over his shoulders. He then put it on an altar, takes a knife and cuts it open, spilling coins out instead of blood or guts; Two men briefly fight off screen and we see one of them fly into view onto the ground; A character sinks in quick sand and a person jumps in after them; An elevator operator is accused of being an assassin. He quickly bites down on a cyanide pill and collapses dead; Two characters have a violent fight, with one grabbing the camera and shake it to represent the victim being attacked. The attacker then chases the victim around, lunging at them. At one point, the attacker throws a vial of something at the victim and it bounces off of them. The victim throws it back at the attacker and it explodes into a mist in front of them; A character is seen foaming at the mouth. They then pull the pin out of a grenade and clutch it close to them. We see it explode and them disappear in the fireball with debris flying. Only their shoes remain; And some other comedic violence.

 

Disclaimer: All reviews are based solely on the opinions of the reviewer. Most reviews are rated on how the reviewer enjoyed the film overall, not exclusively on content. However, if the content really affects the reviewer's opinion and experience of the film, it will definitely affect the reviewer's overall rating.

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